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This parable compares building one's life on the teachings and example of Jesus to a flood-resistant building founded on solid rock. The Parable of the Wise and the Foolish Builders (also known as the House on the Rock), is a parable of Jesus from the Sermon on the Mount in the Gospel of Matthew as well as in the Sermon on the Plain in the Gospel of Luke ().
A "wise man" is an expression that appears in three other sections of Matthew: Matthew 10:16, 24:46, and 25:2-9. [3] This parable is also found in Luke, where it ends the Sermon on the Plain. In Luke there are some important differences from Matthew. Matthew has the house being built on rock, and it thus being secured by good choice of location.
A reference is made to the parable in the 2002 Johnny Cash song "The Man Comes Around," which draws heavily on the Bible. On the 1974 album by Genesis — The Lamb Lies Down on Broadway — a reference to the parable is made in the song The Carpet Crawlers: "and the wise and foolish virgins giggle with their bodies glowing bright."
Parables are one of the many literary forms in the Bible, but are especially seen in the gospels of the New Testament. Parables are generally considered to be short stories such as the Good Samaritan, and are differentiated from metaphorical statements such as, "You are the salt of the earth." A true parable may be regarded as an extended ...
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The foolish man is the Devil, who has built his house, that is, all the ungodly, upon the sand, that is, the insecurity of unbelief, or upon the carnal, who are called the sand on account of their barrenness; both because they do not cleave together, but are scattered through the diversity of their opinions, and because they are innumerable.
Ashton, wanting to use this music and believing it to be a religious subject, chose the parable of the wise and foolish virgins from Matthew 25. [2] According to Michael Somes, it was a later meeting with Patrick Hadley where Hadley and Lambert played Bach’s music which settled the sequence of musical numbers for the ballet. [3]
An elderly woman in Westminster, London, in 1892 reportedly recognised the tune Hipkins knew as belonging to a song about the Lazarus parable. Broadwood matched a typical version of the lyrics to "Dives and Lazarus" with this tune attested by Hipkins and the lady from Westminster, stating that "they suit it so well that there is a great ...