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Henri Cartier-Bresson (French: [ɑ̃ʁi kaʁtje bʁɛsɔ̃]; 22 August 1908 – 3 August 2004) was a French artist and humanist photographer considered a master of candid photography, and an early user of 35mm film. [1]
Behind the Gare Saint-Lazare (1932). Behind the Gare Saint-Lazare is a black and white photograph taken by French photographer Henri Cartier-Bresson in Paris in 1932. The photograph has been printed at variable dimensions; the print donated by Cartier-Bresson to the Museum of Modern Art is listed at 35.2 × 24.1 cm. [1] It is one of his best known and more critically acclaimed photographs and ...
There are prints of this photograph at the Henri Cartier-Bresson Foundation, in Paris, the Museum of Fine Arts, in Houston, and at the Museum of Modern Art, in New York. [ 4 ] [ 5 ] [ 6 ] References
Seville, Spain is a black and white photograph taken by Henri Cartier-Bresson in 1933. He traveled through Spain in 1933, a trip which he documented with many pictures. He took this photograph in Seville, and was one of several that he captured in the same location. [1]
Gestapo Informer Recognized by a Woman She Had Denounced, full title Gestapo Informer Recognized by a Woman She Had Denounced, Deportation Camp, Dessau, Germany, is a black and white photograph taken by Henri Cartier-Bresson in 1945. It is one of the most famous post-World War II pictures. [1]
Juvisy, France (1938) by Henri Cartier-Bresson. Juvisy, France, with the French title of Dimanche sur les Bords de Marne, Juvisy (Sunday at the Banks of Marne, Juvisy), is a black and white photograph taken by Henri Cartier-Bresson in 1938. The picture shows his influence and formation in painting and went to become one of his most known ...
Coronation of King George VI, London, England is a black and white photograph taken by French photographer Henri Cartier-Bresson, in 1937.Cartier-Bresson covered the coronation of King George VI, in London, on 12 May 1937, for the French Communist weekly Regards, focusing more on the people who were attending the official procession than in the event itself.
There are prints of this photograph in several public collections, including the Henri Cartier-Bresson Foundation, in Paris, the Metropolitan Museum of Art, in New York, and the National Gallery of Australia, in Canberra. [4]
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