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The term mani stone may also be used to refer to stones on which any mantra or devotional designs (such as ashtamangala) are inscribed or painted. Mani stones are intentionally placed along the roadsides and rivers [1] or grouped together to form mounds, [1] cairns, [2] or sometimes long walls, as an offering to spirits of place or genius loci.
The English phrase "Mani Jewel" is thus in essence a translation of the Chinese term. The use of the Mani Jewel in Buddhist literature includes various magical relics such as the wish-fulfilling cintamani as well as metaphorical devices to illustrate several ideas such as Buddha-nature (Om mani padme hum) and Śūnyatā.
14th century Goryeo painting of Ksitigarbha holding a cintamani Mani stone In Buddhism, the wish fulfilling jewel (Skt. maṇi , cintā-maṇi , cintāmaṇi-ratna ) is an important mythic symbol indicating a magical jewel that manifests one's wishes, including the curing of disease, purification of water, granting clothing, food, treasure etc.
The gankyil or "wheel of joy" symbol, which can symbolize different sets of three ideas. Various kinds of jewels (mani, ratna), such as the cintamani or "wish fulfilling jewel". [80] Buddhist prayer beads (mala), which originated in India as a way to count prayers or mantras and commonly have 108 beads. [81] The wish fulfilling tree (kalpavriksha)
The crystal seal of Mani (French: Sceau de Mani), also known as the crystal sealstone of Mani or the Manichean Rock-Crystal Seal, is a crystal stone seal with intaglio busts of three Manichean elect. There is a circle of Syriac writing around the intaglio, which could have been a personal seal used by Mani, the founder of Manichaeism. [1]
The seal of Mani, the oldest known Manichaean art. Manichaeism has a rich tradition of visual art, starting with Mani himself writing the Book of Pictures. [1]One of Mani's primary beliefs was that the arts (namely painting, calligraphy, and music) were of the same esteem as the divine spirit (Middle Persian: Mihryazd), believing that the creation of art was comparable to god's creation of ...
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