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In high school, Jackie is the captain of the Yellowjackets soccer team, Shauna's best friend and Jeff's girlfriend. She is accepted into Rutgers University prior to the plane crash. After the plane crash, she has the most difficulty adapting to life in the wilderness and adjusting to life without a high school social structure.
"F Sharp" received highly positive reviews from critics. Leila Latif of The A.V. Club gave the episode a "B" and wrote, "While the episode wasn't quite balanced, Yellowjackets is still managing to keep things moving while layering new mysteries. Whether that will lead to an overcrowded mess by the midseason point or an intricate tapestry of ...
Lottie believes that The Wilderness demands a sacrifice, typically a death that will help the girls survive out in the woods. Jackie, Javi and Shauna's baby have all been deemed to have been a ...
Yellowjackets subsequently introduced a sequence that shifted back and forth between the group's brutal meal and a hallucination of the girls decked out in Renaissance attire enjoying fruit and ...
Warning: This article contains spoilers for Yellowjackets season 2.. Things changed permanently for the Yellowjackets gals — both in 1996 and the present — at the end of season 2.. As ...
In the episode, Natalie and Misty find new details regarding Travis' death, while Shauna and Adam go on a date. Flashbacks depict the survivors' struggle to maintain peace in the cabin. According to Nielsen Media Research , the episode was seen by an estimated 0.295 million household viewers and gained a 0.06 ratings share among adults aged 18 ...
Related: 'Yellowjackets' Season 3 Is Coming! Sink Your Teeth Into All the Details. Some of Lewis's co-stars wished they got to spend more time working with her on the show. “I only got one [scene].
"Two Truths and a Lie" is the fifth episode of the second season of the American thriller drama television series Yellowjackets. It is the fifteenth overall episode of the series and was written by co-producer Katherine Kearns and executive producer Sarah L. Thompson, and directed by Ben Semanoff.