Search results
Results from the WOW.Com Content Network
Heiner Müller (German: [haɪnɐ mʏlɐ]; 9 January 1929 – 30 December 1995) was a German (formerly East German) dramatist, poet, writer, essayist and theatre director. His "enigmatic, fragmentary pieces" are a significant contribution to postmodern drama and postdramatic theatre .
The Mission: Memory of a Revolution (Der Auftrag: Erinnerungen an eine Revolution), also known as The Task, is a postmodern drama by the (formerly East) German playwright Heiner Müller. The play was written and first published in 1979.
The film's title derives from dramatist Heiner Müller who is interviewed in the film, remarking that John Cage was “the revenge of the dead Indians on European music.” [21] Thereby, he refers to the murdered Native Americans who are a central part of American history but have been pushed aside and ignored ever since: Müller explains that ...
Opheliamachine, a postmodernist response to Heiner Mueller's Hamletmachine by the Polish-born American playwright and dramaturg Magda Romanska, premiered to critical acclaim at City Garage Theatre in Santa Monica, CA in 2013, opened at the Berliner Ensemble in Germany on September 30, 2022, and was published in nine languages by Bloomsbury in 2024.
In 1995 Szeiler produced Heiner Müller’s Philoktet with the painter and stage designer Mark Lammert at the Berliner Ensemble, which was the last theatre production Heiner Müller saw. In 1998 Josef Szeiler co-founded the group Theaterkombinat Wien, which in 1999-2000 produced MassakerMykene at the abattoir St. Marx in Vienna, working with ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Our review: First impressions for our in-house testers? "The name totally makes sense," said Yahoo Editor Izabella Zaydenberg. "It's a hot pink paste that turns light pink when you apply it."
Quartet, sometimes written as Quartett, is a 1980 play written by the (formerly East) German playwright Heiner Müller.. Its subject matter rendered it unlikely for production under the GDR's repressive cultural policies, but Müller's status as the nation's most eminent playwright after the death of Bertolt Brecht allowed him great leeway for travel, and so when the progressive director of ...