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The icon of the Nativity depicts the Christ Child wrapped in swaddling clothes reminiscent of his burial wrappings. The child is often shown lying on a stone, representing the Tomb of Christ, rather than a manger. The Cave of the Nativity is also a reminder of the cave in which Jesus was buried.
Adoration of the Christ Child (Italian: Adorazione del Bambino), is a c. 1619 –1621 oil on canvas painting of the Nativity by the Dutch Golden Age artist Gerard Honthorst in the collection of the Uffizi in Florence. [1]
Saint Christopher Carrying the Christ Child; Saint Didacus of Alcalá Presenting Juan de Herrera's Son to Christ; Saint Francis Receiving the Stigmata (Giotto) Saint Francis with the Blood of Christ; Saint Joseph with the Christ Child; Saint Julian the Hospitaller with Christ the Redeemer; Saints Dominic and Francis Saving the World from Christ ...
The Christ Child and the Infant John the Baptist with a Shell or The Holy Children with a Shell (Spanish - Los Niños de la concha) is a 1670-1675 oil on canvas painting by Bartolomé Esteban Murillo, now in the Prado Museum in Madrid. One of the artist's most popular works, it was widely reproduced in prints and on plates. [1]
Angels in vestments adoring the Christ Child who lies on Mary's robe. The Nativity is unusually large for a 15th-century Early Netherlandish single-panel painting at 127.6 cm × 94.9 cm (50.2 in × 37.4 in), [3] and covering four oak boards. [4]
The painting had been cut down by 1901. There is a copy of the painting in the Diocesan Museum in Barcelona, which suggests that the original size was about 45 × 31 cm. In this the rays emanating from the Christ-Child are more evident, and the animals behind less so. [6]
The Virgin Mary, Saint Joseph, and the Christ Child are sitting upon one of these classical ruins that served as a makeshift manger where the birth of Christ occurred. Greenery is growing out of the cracks in the ruin, and a peacock is perched at the right. The star of Bethlehem radiates gold rays at the top of the painting, highlighting the ...
While the Heav'n-born child, All meanly wrapt in the rude manger lies..." The similarity between this c. 1800 tempera painting and the "Butts set" version was one of the main reasons Behrendt dated the "Butts set" to 1803 [5] The Annunciation to the Shepherds: Hymn, Stanzas 8-12 "At last surrounds their sight A globe of circular light,
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