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The enthusiasm doo-wop fans had for the Chords' music was dampened when Gem Records claimed that one of the groups on its roster was called the Chords; consequently the group changed their name to the Chordcats. [3] Their success was a one-off as subsequent releases, including "Zippity-Zum", all failed to chart. [3]
James Elton Keyes (born June 16, 1944) is a former American football placekicker and linebacker who played two seasons with the Miami Dolphins of the National Football League (NFL). He played college football at Mississippi and was drafted by the Dolphins in the second round of the 1968 NFL/AFL Draft .
It was written by James Keyes, Claude Feaster, Carl Feaster, Floyd F. McRae, and William Edwards, members of the Chords, and was released in 1954. It is sometimes considered the first doo-wop or rock and roll record to reach the top ten on the pop charts (as opposed to the R&B charts), as it was a top-10 hit that year for both the Chords (who ...
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As a free agent, Key signed a four-year contract worth $17 million with the New York Yankees on December 10, 1992. [6] He posted a 49–23 record in 94 games over three seasons with the Yankees. He had his career high of 173 strikeouts in the first year with the Yankees in 1993, and he led the majors with 17 wins in the strike -shortened season ...
Recover is a post-hardcore band composed of Dan Keyes (guitar/vocals), Robert Mann (guitar/vocals), Ross Tweedy (bass), and Santiago "Jimmy" Vela III (drums). The band recorded a four-song demo in the spring of 2000. The demo found its way to Fueled by Ramen Records via the band's friends in fellow Austin band The Impossibles.
The Chords are a 1970s British pop music group, commonly associated with the 1970s mod revival, who had several hits in their homeland, before the decline of the trend brought about their break-up. They were one of the more successful groups to emerge during the revival, and they re-formed with the four original members for a UK tour during 2010.
Keyes said, "These are stories of displacement, anarchy, homelessness and of people trying to hang onto each other in the face of what's happening on the hard streets of the inner-city right now." [2] The album was recorded relatively quickly, with Kairouz joining Keyes on guitar and producer Michael Carpenter playing bass, drums and keyboards.
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