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The Gibson J-160E is one of the first acoustic-electric guitars produced by the Gibson Guitar Corporation. The J-160E was Gibson's second attempt at creating an acoustic-electric guitar (the first being the small-body CF-100E [2]). The basic concept behind the guitar was to fit a single-pickup into a normal-size dreadnought acoustic guitar.
The D-28 has been made in several variations over the years, including: HD-28: Has scalloped braces, [7] said to give the guitar a more "open" sound than a D-28. Also features the herringbone (or "pre-war") top border and a zigzag, or "zipper" backstrip. [8]
In 2000 the Gibson Hummingbird was the winner of Acoustic Guitar's Player's Choice Award for the Dreadnought Category, and was described thus: "The Hummingbird has a very wide range of sound, from gutsy and loud, to sweet and soft. Superb for all styles of playing, whether just playing chords or intricate solos."
The back of the guitar also vibrates to some degree, driven by air in the cavity and mechanical coupling to the rest of the guitar. The guitar—as an acoustic system—colors the sound by the way it generates and emphasizes harmonics, and how it couples this energy to the surrounding air (which ultimately is what we perceive as loudness).
The Gibson ES-335 is a semi-hollow body semi-acoustic guitar introduced by the Gibson Guitar Corporation as part of its ES (Electric Spanish) series in 1958.It has a solid maple wood block running through the center of its body with hollow upper bouts and two violin-style f-holes cut into the top over the hollow chambers. [1]
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The Wildwood was a variation on the Fender King guitar, featuring a variety of dyed wood colors. The unique color patterns were achieved by injecting living beech trees with dye prior to being harvested to make the veneer for the back, sides, top and headstock.
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