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Dicen que Soy un Mujeriego ("They Say I am a Womanizer") is a 1949 Mexican comedy-drama film directed by Roberto Rodríguez. This Mexican film classic was made during the Golden Age of Mexican cinema . [ 1 ]
The Convent of Santa Isabel is a royal monastery in central Madrid, Spain. Belonging to the Augustine order of nuns founded by the wife of Philip III of Spain, Margaret of Austria, [1] it is located near the Atocha Train Station. A school for girls there had been founded by Philip II. It was designed in the 17th century by Juan Gómez de Mora.
Distancia (Distance) is a 1998 album by José José for BMG.The album went triple-gold. The main single was "Ojalá que te mueras”. [1] Livi had already worked with the singer 1992 on "40 y 20" and two hit albums, as well as Mujeriego 1995.
The Seven Girls (Spanish: Las nenas del siete) is a 1955 Mexican comedy film directed by Roberto Rodríguez and starring Manuel Palacios, Estanislao Schillinsky and Rosa de Castilla. [1] [2] It was shot at the Churubusco Studios in Mexico City. The film's sets were designed by the art director Francisco Marco Chillet.
"En el muelle de San Blas" (English: "At the pier of San Blas") is the fourth radio single and eighth track off of Maná's fifth studio album, Sueños Líquidos (1997). In the week of May 23, 1998, the song debuted and reached number eighteen on the U.S. Billboard Hot Latin Tracks. [1] It stayed for a total of six weeks. [2]
Lo que le pasó a Santiago (Spanish: [ˈlo ke le paˈso a sanˈtjaɣo]; "What Happened to Santiago") is a 1989 Puerto Rican comedy film written and directed by Jacobo Morales.The film tells the story of a recently retired widower who meets a mysterious young lady who disrupts his daily routines.
A model attribution edit summary is Content in this edit is translated from the existing Spanish Wikipedia article at [[:es:Santa Isabel (Bogotá)]]; see its history for attribution. You may also add the template {{Translated|es|Santa Isabel (Bogotá)}} to the talk page. For more guidance, see Wikipedia:Translation
The Cantata Santa Maria de Iquique represented Quilapayun at the Segundo Festival de la Nueva Canción Chilena (NCCh) (Second Festival of the New Chilean Song).. Despite the success of the work, it had its share of critics within the music world at the time of its release; some critics saw this work as too pretentious, complex and classical for it to be part of a popular neo-folkloric movement.