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Two traditional forms of ruqun (襦裙), a type of Han Chinese clothing worn primarily by women. Cuffs and sleeves on the upper garment may be tighter or looser depending on style. A short skirt or weighted braid (with weight provided by a jade or gold pendant) is sometimes worn to improve aesthetics or comfort of the basic ruqun.
[46]: 74–75 The outer jacket could also be worn over floor-length dress which was worn a yaoqun, a short over-skirt which looked like an apron, on top. [ 46 ] : 74–75 In Northern Liao mural tomb depictions, women who are dressed in Han style clothing are depicted in Tang dynasty fashion whereas in the Southern Liao murals, women dressed in ...
Ming dynasty noblewomen wearing a blue embroidered xiapei over her red robe. The fengguan xiapei (Chinese: 凤冠霞帔) is a type of wedding set of attire categorized under Hanfu. It was worn in Ming and Qing dynasties. [6] The fengguan xiapei attire was composed an upper and lower garment following the traditional yichang system. [7]
Izidwaba (plural) are protective ancestral garments perceived as concrete symbols of control over women's fertility. A woman is considered figuratively naked, unless she wears her isidwaba. [2] As a result, the women have no choice but to wear their skirts that are also described as 'ancestral blankets' that enfold and protect the wearer.
A Self-portrait of a Hong Kong bride wearing a Qungua, a traditional Chinese wedding attire, before her wedding in the 1960s. Back in Ming dynasty, the women wedding dress worn by nobles and commoners was known as fengguan xiapei (traditional Chinese: 鳳冠霞帔; simplified Chinese: 凤冠霞帔) composed of the fengguan and xiapei. [3]
Cheongsam (UK: / tʃ (i) ɒ ŋ ˈ s æ m /, US: / tʃ ɔː ŋ ˈ s ɑː m /) or zansae, also known as the qipao (/ ˈ tʃ iː p aʊ /) and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the qizhuang, the ethnic clothing of the Manchu people.
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