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The 30-note pedalboard of a Rieger organ. A pedalboard (also called a pedal keyboard, pedal clavier, or, with electronic instruments, a bass pedalboard [1]) is a keyboard played with the feet that is usually used to produce the low-pitched bass line of a piece of music.
This example is the most basic and includes unique references for each citation, showing the page numbers in the reference list. This repeats the citation, changing the page number. A disadvantage is that this can create a lot of redundant text in the reference list when a source is cited many times. So consider using one of the alternatives ...
[3] [6] The first edition of the APA Publication Manual was published in 1952 as a 61-page supplement to the Psychological Bulletin, [7] [8] marking the beginning of a recognized "APA style". [3] The initial edition went through two revisions: one in 1957, and one in 1967. [3] Subsequent editions were released in 1974, 1983, 1994, 2001, 2009 ...
Taking the English names as an example, the main manual (the bottom manual on two-manual instruments or the middle manual on three-manual instruments) is traditionally called the Great, and the upper manual is called the Swell. If there is a third manual, it is usually the Choir and is placed below the Great.
(On instruments that have neither a pedalboard nor more than one hand-operated keyboard, the word "manual" is not a synonym for "keyboard".) Music written to be played only on the manuals (and not using the pedals) can be designated by the word manualiter (first attested in 1511, but particularly common in the 17th and 18th centuries). [1]
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The Dolce Campana pedal pianoforte c. 1850, built by Boardman and Gray, New York, demonstrated yet another creative way of modifying the piano's sound. A pedal controlled a series of hammers or weights attached to the soundboard that would fall onto an equal number of screws, and created the sound of bells or the harp. [18]
Echoplex EP-2. The Echoplex is a tape delay effects unit, first made in 1959.Designed by engineer Mike Battle, [1] the Echoplex set a standard for the effect in the 1960s; according to Michael Dregni, it is still regarded as "the standard by which everything else is measured."