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The Southern Gothic includes stories set in the Southern United States, particularly following the Civil War and set in the economic and cultural decline that engulfed the region. Southern Gothic stories tend to focus on the decaying economic, educational and living standards of the post-Civil War South. There is often a heavy emphasis on race ...
James Atlas, in his biography of Chicago writer Saul Bellow, suggests that "the city's reputation for nurturing literary and intellectual talent can be traced to the same geographical centrality that made it a great industrial power." [1] When Chicago was incorporated in 1837, it was a frontier outpost with about 4,000 people. The population ...
In contrast, Midcult (middle culture) came about with middlebrow culture, and dangerously copies and adulterates high culture, by way of "a tepid ooze of Midcult", which threatens high culture, with dramaturgy, literature, and architecture, such as Our Town (1938), The Old Man and the Sea (1952), and American collegiate gothic architecture.
The works of the Graveyard School continued to be popular into the early 19th century and were instrumental in the development of the Gothic novel, contributing to the dark, mysterious mood and story lines that characterize the genre — Graveyard School writers focused their writings on the lives of ordinary and unidentified characters.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
Chicago Transformed: World War I and the Windy City (2016). online; Herrick, Mary J. The Chicago schools: a social and political history (1971) online the major scholarly history. Hogan, David. "Education and the making of the Chicago working class, 1880–1930." History of Education Quarterly 18.3 (1978): 227–270.
The history of literature is the historical development of writings in prose or poetry that attempt to provide entertainment or education to the reader, as well as the development of the literary techniques used in the communication of these pieces.
The excesses, stereotypes, and frequent absurdities of the Gothic genre made it rich territory for satire. [39] Historian Rictor Norton notes that satire of Gothic literature was common from 1796 until the 1820s, including early satirical works such as The New Monk (1798), More Ghosts! (1798) and Rosella, or Modern Occurrences (1799). Gothic ...