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Panchamukha (Sanskrit: पञ्चमुख, romanized: Pañcamukha, lit. 'five faces'), also rendered Panchamukhi, is a concept in Hindu iconography, in which a deity is represented with five heads. [1] Several Hindu deities are depicted with five faces in their iconography, such as Hanuman, Shiva, Brahma, Ganesha, and Gayatri. [2]
The Perini Shiva Thandavam is a dance form usually performed by males. It is called 'Dance of Warriors'. Warriors before leaving to the battlefield enact this dance before the idol of Lord Shiva. [4] The dance form, Perini, reached its pinnacle during the rule of the Kakatiyas who established their dynasty at Warangal and ruled for almost two ...
Shiva Tandava is described as a vigorous dance that is the source of the cycle of creation, preservation and dissolution. While the Rudra Tandava depicts his violent nature, first as the creator and later as the destroyer of the universe, even of death itself, the Ananda Tandava depicts him as joyful.
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Shiva dropped his earring on the ground, picked it by the toe of his left leg and fixed it back on his ear in the dance. Kali accepted her defeat and said she could not do such a marvellous dance. Shiva said that he alone was equal to her and said further that those coming to worship him here, should worship her first to reap the full benefit ...
The kikli dance form is a dance of young girls. The girls hold each other's hand crosswise and rotate swiftly on their toes. The Bhangra is a male dance which originated in the Punjab and is also performed in some areas of Una. The dance forms of the trans-Himalayan region differs in content and music. The old tradition of both song and dance ...
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...
Ardhanarishvara conveys that Shiva and Shakti are one and the same, an interpretation also declared in inscriptions found along with Ardhanarishvara images in Java and the eastern Malay Archipelago. [ 3 ] [ 9 ] The Vishnudharmottara Purana also emphasizes the identity and sameness of the male Purusha and female Prakriti, manifested in the image ...