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Her third album, Maya, was released in 2010 and reached the top 10 in numerous countries, remaining her highest-charting album both in the UK and the US. Her fourth album, Matangi , was released in 2013, charting moderately in music markets, despite receiving strong feedback from both public and critics.
AIM is the fifth studio album by British rapper and singer M.I.A. It was released on 9 September 2016 by Interscope and Polydor Records. Prior to its release, M.I.A. claimed that it would be her final album. She worked on the composition and production of the album with a range of collaborators, including Blaqstarr, Diplo, and Skrillex.
Maya (stylised as ΛΛ Λ Y Λ) is the third studio album by British recording artist M.I.A. It was released on 7 July 2010 through N.E.E.T. Recordings, XL and Interscope. Songwriting and production was primarily handled by M.I.A., Blaqstarr and Rusko. Producers Diplo and Switch, alongside M.I.A.'s brother Sugu, also worked on the album.
Mata (stylised in all caps) is the sixth studio album by English recording artist M.I.A. It was released on 14 October 2022 through Island Records , marking her first album release for six years. M.I.A. worked with a number of producers on the album, including Skrillex and long-time collaborator Diplo , and recorded tracks in various locations ...
Matangi is the fourth studio album by British recording artist M.I.A. It was released on 1 November 2013 through N.E.E.T. Recordings and Interscope.M.I.A.'s longtime collaborator Switch primarily handled Matangi 's production; Hit-Boy, Doc McKinney, Danja, Surkin, and The Partysquad provided additional contributions.
"Born Free" is a song by English Tamil recording artist M.I.A., released alongside an accompanying short film/music video of the same name from her third album, Maya. XL Recordings and Interscope Records / N.E.E.T. released "Born Free" as a digital download from the album on 23 April 2010, with the music video released on 26 April 2010.
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Piracy Funds Terrorism was voted the 23rd best album of 2004 in the Pazz & Jop, an annual poll of American critics nationwide, published by The Village Voice. [11] Pitchfork ranked it at number 12 on their year-end albums list, [ 5 ] and later at number 103 on their decade-end list of top 200 albums from the 2000s.