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Matthew Charles Fisher (born 7 March 1946) is an English musician, songwriter and record producer. He is best known for his longtime association with the rock band Procol Harum, which included playing the Hammond organ on the 1967 single "A Whiter Shade of Pale", for which he subsequently won a songwriting credit.
"A Whiter Shade of Pale" is a song by the English rock band Procol Harum that was issued as their debut record on 12 May 1967. The single reached number 1 in the UK Singles Chart on 8 June and stayed there for six weeks. [ 10 ]
Download as PDF; Printable version ... which makes "Whiter Shade of Pale" the eleventh and final track on that edition. ... Hammond B3 organ (4, 9, 10, 12), keyboards ...
Their best-known recording is the 1967 hit single "A Whiter Shade of Pale", one of the few singles to have sold more than 10 million copies. [4] Although noted for their baroque and classical influence, Procol Harum's music is described as psychedelic rock and proto-prog with hints of the blues, R&B, and soul.
Live at the Union Chapel is the second live album by Procol Harum, released in 2004.. It was the last Procol Harum album to feature Matthew Fisher on organ and the only time Procol Harum recorded "A Whiter Shade of Pale" with 3 verses (previous albums and single releases only contained 2 verses).
In Concert with the Danish National Concert Orchestra and Choir, by Procol Harum, is a live album released 2009.It was recorded in Ledreborg Castle in Denmark.. This album is also noteworthy because it contains a song that Procol Harum have never released before - "Symphathy [sic] for the Hard of Hearing".
Two lineups of Procol Harum onstage in 1970, 2001 and 2018. Procol Harum were an English progressive rock band from Southend-on-Sea. Formed in April 1967, the group originally consisted of vocalist and pianist Gary Brooker, guitarist Ray Royer, bassist David Knights, keyboardist Matthew Fisher, drummer Bobby Harrison and lyricist Keith Reid. The band went through a number of lineup changes ...
The music also features Matthew Fisher's rich and deep Hammond organ, but the piano and guitar have bigger places in the overall sound. [citation needed] The theme is not as clearly Bach-like as in "A Whiter Shade of Pale"; nevertheless, the single was, on its release, criticised for being too similar to its predecessor. [2]
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