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The name Phoenician is by convention given to inscriptions beginning around 1050 BC, because Phoenician, Hebrew, and other Canaanite dialects were largely indistinguishable before that time. [27] [47] The so-called Ahiram epitaph, engraved on the sarcophagus of King Ahiram from about 1000 BC, shows a fully developed Phoenician script. [48] [49 ...
The Cesnola Phoenician inscriptions are 28 Phoenician inscriptions from Cyprus (primarily Kition) in the Metropolitan Museum of Art's Cesnola Collection. They were discovered by Luigi Palma di Cesnola during his tenure as the United States Consul to Cyprus from 1865 to 1871. [ 1 ]
The name Phoenicia is an ancient Greek exonym that did not correspond precisely to a cohesive culture or society as it would have been understood natively. [8] [9] Therefore, the division between Canaanites and Phoenicians around 1200 BC is regarded as a modern and artificial construct. [7] [10]
Later, the Greeks kept approximations of the Phoenician names, albeit they did not mean anything to them other than the letters themselves; on the other hand, the Latins (and presumably the Etruscans from whom they borrowed a variant of the Western Greek alphabet) and the Orthodox Slavs (at least when naming the Cyrillic letters, which came to ...
The title refers to the Greek chorus, which is composed of Phoenician women on their way to Delphi who are trapped in Thebes by the war. Unlike some of Euripides' other plays, the chorus does not play a significant role in the plot, but represents the innocent and neutral people who very often are found in the middle of war situations.
The name Phoenicia is an ancient Greek exonym that did not correspond precisely to a cohesive culture or society as it would have been understood natively. [7] [8] Therefore, the division between Canaanites and Phoenicians around 1200 BC is regarded as a modern and artificial division. [6] [9]
With the death of Ashurbanipal in 627 BC, Aramea and Phoenicia gradually fell from Assyrian rule as Assyria was engulfed in bitter civil war which would see its downfall by 605 BC. Ironically, it would be the Assyrians former vassals, the Egyptians, who would attempt to aid the Assyrians as they moved the capital of their collapsing kingdom to ...
The Phoenician imagery of "the woman at the window", as well as the "Peeper" of Cyprus, the Venus prōspiciēns of Salamis, as well as the El Carambolo statuette depicting a naked ʿAštart and some specific feminine images were semantically connected to sacred prostitution performed in the honour of ʿAštart.