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The house was built in 1859–1860 by financier Paul J. Armour based on the architectural ideas of Orson Squire Fowler, the author of The Octagon House: A Home for All Occasions. Fowler believed that octagonal houses enclosed more space, provided more interior sunlight, and that its rooms were easily accessible to each other.
Sometimes there are studs at the doors but mostly the vertical planks replace the studs. Both wood shingle or clapboard exterior siding and interior lath and plaster attach directly to the planks. [10] Some examples of plank frame houses are the oldest house in New Hampshire, the Richard Jackson House, Thomas and Esther Smith House in ...
The magazine launched in April 1986 in London, England.Each issue features country houses from around the UK plus accompanying photographs and owner profiles; country style decorating; interior design ideas; gardens and planting advice; and seasonal food and entertaining.
Example of an exterior architectural photograph. Exterior architectural photography usually takes advantage of available light by day, or at night it uses ambient light from adjacent street lights, landscape lights, exterior building lights, moonlight and even twilight present in the sky in all but the darkest situations.
Recent developments have included starting a sculpture garden around the old ice house and, in 2007, a "garden of surprises" was created using traditional ideas of water traps, shell grottos and a mirror maze, but in a 21st-century style. [29] The Burghley House trust has commissioned contemporary artwork in the grounds from leading artists. [30]
Charles Rennie Mackintosh: Music Room, 1901 Interior of architect Frank Lloyd Wright's Robie House, (1911) designed by interior architect George Mann Niedecken. In 1956, The Architectural Record selected the Robie House as "one of the seven most notable residences ever built in America." [1] Window designed by Frank Lloyd Wright for the Robie ...
The interior of the house reflects the Eastlake style in the mantel spindles, the ornate tile work surrounding the two fireplaces, 12-foot second story coved ceilings and other details. The wall cladding in the main house is a horizontal shiplap with vertical lapboard.
The interior of the house was as lavish as the exterior, with more Gothic detailing. The hangings for the state bed included 97 yards (89 m) of purple damask and 103 yards (94 m) of sarsenet (fine silk) trimmed with gold lace. [4] When the future Queen Victoria visited in 1832 at the age of 13, she wrote in her journal: "The house is magnificent".
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