Search results
Results from the WOW.Com Content Network
Flor y Canto Segunda Edición is a hymnal which includes 737 hymns and songs in Spanish in a variety of styles, representing music from the Americas, Mexico, Spain, Guatemala, Nicaragua, and Puerto Rico. 'Flor y Canto' is Spanish for 'flower and song'. Flor y Canto Segunda Edición was compiled by Rodolfo López. The second edition was ...
Cucurrucucú paloma" (Spanish for Coo-coo dove) is a Mexican huapango-style song written by Tomás Méndez in 1954. [1] The title is an onomatopeic reference to the characteristic call of the mourning dove, which is evoked in the refrain. The lyrics allude to love sickness.
The song "La Llorona" is featured in the 2017 Disney-Pixar film Coco; it is performed by Alanna Ubach as Imelda Rivera and Antonio Sol in a guest appearance as Ernesto de la Cruz in the English version and Angelica Vale and Marco Antonio Solis in the Spanish version. In the film, Imelda sings the song during the sunrise concert as she attempts ...
Literal translation Definition Campana: bell: A bell used in an orchestra; also campane "bells" Cornetto: little horn: An old woodwind instrument Fagotto: bundle: A bassoon, a woodwind instrument played with a double reed Orchestra: orchestra, orig. Greek orkesthai "dance" An ensemble of instruments Piano(forte) soft-loud: A keyboard instrument ...
"Granada" is a song written in 1932 by Mexican composer Agustín Lara. The song is about the Spanish city of Granada and has become a standard in music repertoire.. The most popular versions are the original with Spanish lyrics by Lara (often sung operatically); a version with English lyrics by Australian lyricist Dorothy Dodd; and instrumental versions in jazz, pop, easy listening, flamenco ...
Canto para matar una culebra :¡Mayombe-bombe-mayombé! :¡Mayombe-bombe-mayombé! :¡Mayombe-bombe-mayombé! :La culebra tiene los ojos de vidrio :la culebra viene y se enreda en un palo :Con sus ojos de vidrio, en un palo :Con sus ojos de vidrio :La culebra camina sin patas :La culebra se esconde en la yerba :Caminando se esconde en la yerba :Caminando sin patas :¡Mayombe-bombe-mayombe!
Its origins are uncertain but scholars see many influences in the cante flamenco including: The traditional song of the gitanos (Spanish Gypsies), the Perso-Arab Zyriab song form, the classical Andalusian orchestras of the Islamic Empire, the Jewish synagogue chants, Mozarabic forms such as zarchyas and zambra, Arabic zayal (the foundation for ...
Hanacpachap cussicuinin appears for the first time in the Ritual published by the Franciscan friar Juan Pérez Bocanegra in 1631 entitled Ritual, formulario e institución de curas, written in both Quechua and Spanish, although the hymn itself is in Quechua only without translation. [1] The music is arranged for four voices. [3]