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The first Art Nouveau houses appeared in Brussels in 1893, including the Hotel Tassel designed by Victor Horta.Horta designed not only the house and decor but also the furniture, which featured the same nature-inspired curling whiplash lines which were featured in the architecture, wrought iron balcony and stairway railings, ceramic floors, and door handles.
WMF was originally called Metallwarenfabrik Straub & Schweizer and was opened as a metal repairing workshop. Through mergers and acquisitions, by 1900 they were the world's largest producer and exporter of household metalware, mainly in the Jugendstil, or Art Nouveau style, designed in the WMF Art Studio under Albert Mayer, sculptor and designer, who was director from 1884 to 1914.
The name was popularized by the Maison de l'Art Nouveau ('House of the New Art'), an art gallery opened in Paris in 1895 by the Franco-German art dealer Siegfried Bing. In Britain, the French term Art Nouveau was commonly used, while in France, it was often called by the term Style moderne (akin to the British term Modern Style), or Style 1900. [9]
Twisting and curving line forms have a long history in art and design. Whiplash curves have similarities with the arabesque design, used particularly in Islamic art, such as the ceramic tiles of the mosque of Samarkand in Central Asia. Curvilinear design is a noticeable element of Gothic architecture, in, for example, church window tracery.
Hector Guimard (French pronunciation: [ɛktɔʁ ɡimaʁ], 10 March 1867 – 20 May 1942) was a French architect and designer, and a prominent figure of the Art Nouveau style. He achieved early fame with his design for the Castel Beranger , the first Art Nouveau apartment building in Paris, which was selected in an 1899 competition as one of the ...
Together, The Four defined the Glasgow Style's fusion of influences including the Celtic Revival, the Arts and Crafts Movement, and Japonisme, which found favour throughout the modern art world of continental Europe. The Four, otherwise known as the Spook School, ultimately made a significant impact on the definition of Art Nouveau. The name ...
The 1897 series of color lithographs on paper featured 15 by 43 centimetres (5.9 in × 16.9 in) panels and is located at the Art Institute of Chicago. [12] The 1900 series also features color lithographs, this time sized 54.29 by 75.88 centimetres (21.37 in × 29.87 in). [13] The 1900 series is located at the Victoria & Albert Museum. [13]
Limoges enamel was usually applied on a copper base, but also sometimes on silver or gold. [5] Preservation is often excellent due to the toughness of the material employed, [5] and the cheaper Limoges works on copper have survived at a far greater rate than courtly work on precious metals, which were nearly all recycled for their materials at some point.
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