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Liza Lim makes extensive use of split tones in Ehwaz for trumpet and percussion. [3] In the preface to the score, she states that split tones "tend to be unstable and prone to distortion," and, "it is expected that a degree of fluctuation or 'fraying' will occur in most split tones and this should be regarded as part of the overall timbral ...
An offstage instrument or choir part in classical music is a sound effect used in orchestral and opera which is created by having one or more instrumentalists (trumpet players, also called an "offstage trumpet call", horn players, woodwind players, percussionists, other instrumentalists) from a symphony orchestra or opera orchestra play a note, melody, or rhythm from behind the stage, or ...
The means of playing the instrument and skills required to play it, for example the grouping together of mallet percussion instruments, or of hand percussion instruments. This underlies the division of the orchestral percussion section into auxiliary percussion , tuned percussion and timpani , and is the reason percussive keyboard instruments ...
Many of these trumpet parts are technically quite difficult to play on a natural instrument, and were often written with a specific virtuoso performer in mind, such as Gottfried Reiche (Bach's chief trumpeter and the subject of a famous painting of the era) or Valentine Snow, for whom Handel composed some of his more noted trumpet parts. Indeed ...
For complex, rapid rhythms, the instrument may be suspended from a stand using two clips, and played with two beaters, although this makes it more difficult to control. Most difficulties in playing the triangle come from the complex rhythms which are sometimes written for it, and it can also be quite difficult to control the level of volume.
Orchestral percussion section with timpani, unpitched auxiliary percussion and pitched tubular bells Djembé and balafon played by Susu people of Guinea Concussion idiophones (), and struck drums Modern Japanese taiko percussion ensemble Very large drum kit played by Terry Bozzio Mridangam, an Indian percussion instrument, played by T. S. Nandakumar Evelyn Glennie is a percussion soloist
A percussion section with pitched percussion (tubular bells, background), auxiliary percussion (crash cymbals, suspended cymbal, snare drum and bass drum) and timpani (foreground) in use. The percussion section is one of the main divisions of the orchestra and the concert band. It includes most percussion instruments and all unpitched instruments.
In a French horn, the length of tubing (and the bore size) make the partials much closer together than other brass instruments in their normal range and, therefore, harder to play accurately. The F mellophone has tubing half the length of a French horn, which gives it an overtone series more similar to a trumpet and most other brass instruments.