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The main characters of the Baal Cycle are as follows: [3] Baal, the storm god and protagonist, whose abode is on the Syrian mountain Mount Zaphon; Yam, the sea god and primary antagonist of Baal in the first two tablets of the Baal Cycle; Mot, the underworld god and primary antagonist of Baal in the last two tablets; Anat, sister and major ally ...
In the Baal Cycle, he creates the weapons Baal uses in his battle against Yam [71] and later builds his palace. [72] In the Epic of Aqhat, he is the creator of the bow of the eponymous hero. [73] Kotharat: kṯrt [74] Kotharat were a group of seven goddesses regarded as divine midwives. [69]
In the Baal Cycle (KTU 1.1-1.6 [43]) Yam is portrayed as one of the enemies of the eponymous god, Baal. [44] He is his main rival in the struggle for the status of king of the gods. [45] The conflict between Yam and Baal is considered one of the three major episodes of the Baal Cycle, with the other two being the construction of Baal’s palace ...
The Baal Cycle, the most famous of the Ugaritic texts, [1] displayed in the Louvre. The Ugaritic texts are a corpus of ancient cuneiform texts discovered in 1928 in Ugarit (Ras Shamra) and Ras Ibn Hani in Syria, and written in Ugaritic, an otherwise unknown Northwest Semitic language. Approximately 1,500 texts and fragments have been found to date.
According to Tabari, baal is a term used by Arabs to denote everything which is a lord over anything. [101] Al-Thaʿlabī offers a more detailed description about Baal; accordingly it was an idol of gold, twenty cubits tall, and had four faces. [99]
Articles relating to Baal, a title and honorific meaning "owner," "lord" in the Northwest Semitic languages spoken in the Levant during antiquity. From its use among people, it came to be applied to gods. The title is particularly associated with the storm and fertility god Hadad.
Pidray is the best attested of the Ugaritic goddesses regarded as daughters of Baal. [7] [4] It is sometimes assumed that she formed a triad with his other daughters, Tallay and Arsay, [4] though this view has been criticized by Steve A. Wiggins, who points out that Arsay appears with the other two goddesses only once in the entire text corpus, in a passage from the Baal Cycle in which Baal ...
After Baal's death at the hands of Mot, Anat mourns him. [141] She also shows concern about the fate of the people (KTU 1.6 I 6). [142] Shapash, the sun goddess, is the first to notice her despair when she discovers the body of Baal, and helps her bring the deceased weather god to Mount Saphon for his burial. [143]