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Francesca da Rimini [a] or Francesca da Polenta [a] (died between 1283 and 1286) [1] was an Italian noblewoman of Ravenna, who was murdered by her husband, Giovanni Malatesta, upon his discovery of her affair with his brother, Paolo Malatesta.
From 1275 onwards he played an active part in the Romagnole Wars and factions. He is chiefly famous for the domestic tragedy of 1285, recorded in Dante's Inferno: upon finding his wife, Francesca da Polenta (Francesca da Rimini), in adulterous embrace with his own brother (Paolo Malatesta), he killed them both with his own hands.
Paolo Malatesta (Italian pronunciation: [ˈpaːolo malaˈtɛsta]; c. 1246 – 1285), also known as il Bello ('the Beautiful'), was the third son of Malatesta da Verucchio, Lord of Rimini. He is best known for the story of his affair with Francesca da Polenta , portrayed by Dante in a famous episode of his Inferno (Canto V).
A third full-size version of 1855 is now in the Louvre in Paris; measuring 171 by 239 cm (67 by 94 in), it was acquired in 1900 from the estate of the artist's sister, Cornélia Scheffer. [8] Various titles are used for the different versions of the painting: Just Francesca da Rimini today at the Wallace Collection
Paolo and Francesca da Rimini is a watercolour by British artist and poet Dante Gabriel Rossetti, painted in 1855 and now in Tate Britain. The painting is a triptych inspired by Canto V of Dante 's Inferno , which describes the adulterous love between Paolo Malatesta and his sister-in-law Francesca da Rimini .
As Aretha Franklin and the Eurythmics once said, sisters are doin' it for themselves. A lot happened in the 80 minute season 1 finale of Dune: Prophecy. But a lot of this show and the movies in ...
The Gates of Hell, sculpture by Rodin, where the concept for the sculpture originated.. The sculpture, The Kiss, was originally titled Francesca da Rimini, as it depicts the 13th-century Italian noblewoman immortalised in Dante's Inferno (Circle 2, Canto 5) who falls in love with her husband Giovanni Malatesta's younger brother Paolo.
A complete listing and criticism of all English translations of at least one of the three cantiche (parts) was made by Cunningham in 1966. [12] The table below summarises Cunningham's data with additions between 1966 and the present, many of which are taken from the Dante Society of America's yearly North American bibliography [13] and Società Dantesca Italiana [] 's international ...