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The emblem of the dolphin and anchor which has been used since Roman times to illustrate the adage. This example is the printer's mark of Aldus.. Festina lente (Classical Latin: [fɛsˈtiː.naː ˈlɛn.teː]) or speûde bradéōs (σπεῦδε βραδέως, pronounced [spêu̯.de bra.dé.ɔːs]) is a classical adage and oxymoron meaning "make haste slowly" (sometimes rendered in English as ...
A Baroque form of concerto, with a group of solo instruments Da capo aria: from the head aria: A three-section musical form Dramma giocoso: jocular drama: A form of opera Dramma per musica: drama for music: Libretto Fantasia: fantasy: A musical composition or “idea” typified by improvisation Farsa: farce: A one-act comical opera Festa ...
An ornamental tone following a principal tone by a skip up or down, usually of a third, and proceeding in the opposite direction by a step, not to be confused with changing tone. canon or kanon (Ger.) A theme that is repeated and imitated and built upon by other instruments with a time delay, creating a layered effect; see Pachelbel's Canon.
Spanish: mambo, enchilada, rumba, (the Spanish words mambo and rumba are commonly used in Italian with the same meaning). Neapolitan: paisà (in Italian paesano; in English villager or fellow countryman). A number of Italian words are deliberately misspelled ("Giovanno" instead of "Giovanni", and "hello, che se dice" for "hello
A complete listing and criticism of all English translations of at least one of the three cantiche (parts) was made by Cunningham in 1966. [12] The table below summarises Cunningham's data with additions between 1966 and the present, many of which are taken from the Dante Society of America's yearly North American bibliography [13] and Società Dantesca Italiana [] 's international ...
The resulting structure of the piece is generally in ternary form. Sometimes, the composer describes the part to be repeated, for example: Menuet da capo. [further explanation needed] In opera, where an aria of this structure is called a da capo aria, the repeated section is often adorned with grace notes.
The Contrapasso of the sorcerers, astrologers, and false prophets, illustrated by Stradanus. In Dante's Inferno, contrapasso (or, in modern Italian, [1] contrappasso, from Latin contra and patior, meaning "suffer the opposite") is the punishment of souls "by a process either resembling or contrasting with the sin itself."
The term stretto comes from the Italian past participle of stringere, and means "narrow", "tight", or "close". [4] It applies in a close succession of statements of the subject in a fugue, especially in the final section. In stretto, the subject is presented in one voice and then imitated in one or more other voices, with the imitation starting ...