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There are two primary families of guitars: acoustic and electric. An acoustic guitar has a wooden top and a hollow body. An electric guitar may be a solid-body or hollow body instrument, which is made louder by using a pickup and plugging it into a guitar amplifier and speaker. Another type of guitar is the low-pitched bass guitar.
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[1]. The first wave of Hummingbirds came with a solid Sitka spruce top and solid mahogany back. The sides are mahogany, but not all of them are solid, many are laminated. They have adjustable rosewood or ceramic saddles, three-ply maple bridge plates, single X-bracing, engraved hummingbird-butterfly trumpet-flower pickguards with two points on the upper treble bout and one point level with the ...
The Wildwood was a variation on the Fender King guitar, featuring a variety of dyed wood colors. The unique color patterns were achieved by injecting living beech trees with dye prior to being harvested to make the veneer for the back, sides, top and headstock.
The Gibson L-5 is a hollow body guitar first produced in 1923 by the Gibson Guitar Corporation, then of Kalamazoo, Michigan.One of the first guitars to feature F-holes, the L-5 was designed under the direction of acoustical engineer and designer Lloyd Loar, and has been in production ever since.
The D-28 has been made in several variations over the years, including: HD-28: Has scalloped braces, [7] said to give the guitar a more "open" sound than a D-28. Also features the herringbone (or "pre-war") top border and a zigzag, or "zipper" backstrip. [8]
The Gibson Guitar Corporation released several new styles during the 1950s to compete with Fender's solid-body instruments, such as the Telecaster and Stratocaster. After success with the Les Paul in the 1950s, Gibson's popularity began to wane in the 1960s. Fender's colors, shapes and multiple pickups were endorsed by notable guitarists.
The back of the guitar also vibrates to some degree, driven by air in the cavity and mechanical coupling to the rest of the guitar. The guitar—as an acoustic system—colors the sound by the way it generates and emphasizes harmonics, and how it couples this energy to the surrounding air (which ultimately is what we perceive as loudness).