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Tambour-worked waistcoat pocket detail, silk, c. 1770–1800. MoMu Fashion Museum Antwerp, ST130C. Highly decorated textiles and garments of the in heavier weight fabrics featuring tambour-style embroidery, such as jackets, waistcoats, and gowns, were created for the export market in countries including India in the 18th century.
Detail of a flowered muslin dress, ca. 1805. Sewed muslin was a fashion imported from Paris in the late 18th century. Related to tambour lace, it was worked on very fine muslin, and used a variety of stitches to create motifs, usually depicting flowers and plants (hence its other name, flowered muslin).
Muslin products produced in West Bengal include handkerchiefs, dhoti, bed sheets and men's and women's clothing. According to 2015 data, the products were priced between ₹400 and ₹25,000, while some premium sarees in this category were priced between ₹70,000 and ₹150,000. [23] The Bengal Muslin (20th century)
In addition, Mughal men wore ornamented shoes with turned-up toes, also known as the Jhuti. The Jhuti was Persian in style and was the most common form of shoe worn by visitors to Akbar's court. Punjabi desi juttis were originally made of pure leather with exquisite embroidery and embellishments.
Glossary of 18th Century Costume Terminology; An Analysis of An Eighteenth Century Woman's Quilted Waistcoat by Sharon Ann Burnston Archived 2010-05-22 at the Wayback Machine; French Fashions 1700 - 1789 from The Eighteenth Century: Its Institutions, Customs, and Costumes, Paul Lecroix, 1876 "Introduction to 18th Century Men and Women's Fashion".
In the early 18th century, men's shoes continued to have a squared toe, but the heels were not as high. From 1720 to 1730, the heels became even smaller, and the shoes became more comfortable, no longer containing a block toe. The shoes from the first half of the century often contained an oblong buckle usually embedded with stones. [17]
A daring new fashion arose for having one's portrait painted in undress, wearing a loosely fastened gown called a nightgown over a voluminous chemise, with tousled curls. The style is epitomized by the portraits of Peter Lely , which derive from the romanticized style originated by Anthony van Dyck in the 1630s.
The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English ...
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