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In 2013, Samyang Optics introduced one of the cheapest today tilt–shift lenses, the Samyang T-S 24mm f/3.5 ED AS UMC, which can tilt up to 8.5 degrees and shift up to 12mm of axis. [16] ARAX introduced a 35 mm f/2.8 and an 80 mm f/2.8 tilt–shift lens, which are available for several camera mounts.
The Canon TS-E 17 mm f / 4L is a tilt-shift, ultra-wide-angle prime lens that provides the equivalent of the corresponding view camera front movements on Canon EOS camera bodies. Unlike most other EF-mount lenses, it does not provide autofocus.
The TS-E 135 mm f / 4L MACRO was the first lens from Canon which combined Macro and tilt-shift. It was announced together with a series of lenses, the TS-E 50 mm f / 2.8L MACRO and the TS-E 90 mm f/2.8L MACRO, which introduced the same features.
The Nikon PC-E Nikkor 24mm f/3.5D ED Lens is a tilt-shift, wide-angle prime lens that provides the equivalent of the corresponding view camera front movements on Nikon F-mount camera bodies. Its ultra-wide perspective control features tilt, shift and rotation capability, well-suited for architectural and nature photography. [2] [3]
The tilt and shift functions cannot be independently rotated. The lens is supplied with these functions at 90° to each other (e.g., providing tilt and lateral shift); they can be changed to work in the same directions (e.g., providing tilt and rise/fall) by removing four screws, rotating the front of the lens 90°, and reinstalling the screws.
shift and tilt lens system, eyepiece leveller, pentafinder, wide angle eyepiece: Other accessories: ... and is extremely popular amongst bigger budget feature films.
Using the unique Super-Rotator design, Hartblei tilt-shift lenses are capable of tilting in any axis, [1] making it more flexible than other lenses such as the Canon TS-E 90mm lens. Hartblei Super-Rotator lenses are 360° tilt-shift lenses. Some current versions of the Super-Rotator feature German-made Zeiss optics. Hartblei optics (full frame ...
Example of tilted plane focus: here used for emphasis and metaphor, a 135mm lens at full aperture (f3.5) with extreme tilt and swing permits focus on specific details such as the foreground sack and slaughtered dingoes through to a section of the tennis-court mesh and the distant tethered goat.
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