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Date/Time Thumbnail Dimensions User Comment; current: 12:16, 9 June 2015: 680 × 187 (44 KB): Rettinghaus: improved with stem directions, set with Lilypond 2.18: 12:16, 9 June 2015
"Neighbors" is a song by American rapper J. Cole, released on December 9, 2016, recorded for his fourth studio album, 4 Your Eyez Only. [1] It was released on April 25, 2017, as the second single off the album.
In the song, Pooh Shiesty and Big30 rap about keeping and using their guns, as well as their luxury, over an "uptempo synth instrumental". [2] [4] [5] Aaron Williams of Uproxx wrote that Shiesty "offers up his take on the trap rap staples of choppers, racks, and work, boasting that he keeps his gun closer than a neighbor and threatening anyone 'talking gangster on the net.'" [6]
"Hands" is a song by American singer Jewel, released as the first single from her second studio album, Spirit (1998). Jewel wrote the song following an incident in which she considered stealing a sundress after getting fired from various jobs due to kidney troubles, and she decided that her hands were better suited to writing songs than stealing clothes.
The music video for "Neighbours" was directed by Michael Lindsay-Hogg. [2] It was shot on 1 July 1981 at the Taft Hotel in New York City. Lindsay-Hogg took "considerable" inspiration from the set and suspenseful screenplay of the Alfred Hitchcock film Rear Window. [2]
Robinson family (Neighbours) (25 P) S. Scully family (12 P) W. Willis family (18 P) Pages in category "Neighbours families"
The new version did not, however, repeat the verse, using instead a repetitive technique applied to the # That's when good neighbours become good friends # line and an additional instrumental piece to make up the theme's length which remains unchanged at 55 seconds. For the 2008 season onwards, Australian 10 episodes were followed by a shorter ...
A minimal bedroom studio set-up with 1980s–1990s equipment. Lo-fi (also typeset as lofi or low-fi; short for low fidelity) is a music or production quality in which elements usually regarded as imperfections in the context of a recording or performance are present, sometimes as a deliberate stylistic choice.