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The yuwipi man is the healer and the one who is tied up and directs the ceremony. During the ceremony he calls spirits that can help the people. While the traditions and protocols are passed down through generations of healers, each Medicine Man has his own way of conducting the ceremony.
A major heyókha ceremony is the heyókha kaga ("clown making ceremony"), involving a dance around a pot of boiling dog meat. [357] Heyókha are expected to participate in the Omaha (grass) dances ; [ 360 ] although historically sometimes forbidden from the sun dance, [ 360 ] they have appeared at 21st century sun dances, where their function ...
The qulliq [1] or kudlik [2] (Inuktitut: ᖁᓪᓕᖅ, romanized: qulliq, IPA:; Greenlandic: qulleq; Inupiaq: naniq), is the traditional oil lamp used by many circumpolar peoples, including the Inuit, the Chukchi [3] and the Yupik peoples. [4] The fuel is seal-oil or blubber, and the lamp is made of soapstone. [5]
The pipestone from this quarry is considered the softest stone available. [citation needed] Blue pipestone is used predominantly by the Plains Tribes for certain types of ceremonial pipes. Deposits of the stone are found in South Dakota. Bluestone a hard, greenish-blue quartzite stone from the southern Appalachian Mountains. After being worked ...
The various parts of the pipe have symbolic meanings, and much of this symbolism is not shared with those outside the culture. While sacred pipes of various designs are used in ceremonies by a number of different Indigenous peoples of the Americas, chanunpa is specifically the Lakota name for their type of ceremonial pipe and ceremony. Other ...
As music storage and playback using personal computers became common, the term "playlist" was adopted by various media player software programs intended to organize and control music on a PC. Such playlists may be defined, stored, and selected to run either in sequence or if a random playlist function is selected, in a random order.
Music played an integral role in areíto. Colonial observations note the use of various instruments in the dances, performances, and ceremonies including rattles made from wood or gourds filled with stones, bone whistles and flutes, horns and made out of large sea shells, and drums made from hollowed out logs.
The Ṣàngó god necklaces are composed of varying patterns of red and white beads, usually in groupings of four or six, which are his sacred numbers. Rocks created by lightning strikes are venerated by Ṣàngó worshipers; these stones, if found, are maintained at sacred sites and used in rituals.