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In 1965, he established Kuramata Design Office in Tokyo and in 1981 received the Japanese Cultural Prize for design. [3] From the mid‑1960s onwards, Kuramata began exploring materials and forms through his unique designs. His work merged popular culture, Japanese aesthetic concepts, and the Western avant‑garde. [2]
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration.
Ryobiraki tansu being carried by hired porters. Woodblock print, Utagawa Toyokuni, 1807. Tansu were rarely used as stationary furniture. Consistent with traditional Japanese interior design, which featured a number of movable partitions, allowing for the creation of larger and smaller rooms within the home, tansu would need to be easily portable, and were not visible in the home except at ...
Naoto Fukasawa (深澤 直人; born 1956) is a Japanese designer, author, and educator, [1] working in the fields of product and furniture design. He is known for his product design work with the Japanese retail company Muji, as well as collaborations with companies such as Herman Miller, Alessi, B&B Italia, Emeco, Magis, and HAY.
Pages in category "Japanese furniture" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes. B. Byōbu; C. Chabudai
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Japanese furniture (3 C, 2 P) Pages in category "Japanese home" The following 32 pages are in this category, out of 32 total. This list may not reflect recent changes. B.
Sideboard, 1867–1870, by Edward William Godwin (Victoria & Albert Museum) Sideboard at the Art Institute of Chicago Sideboard at the Pinakothek der ModerneThis sideboard was designed by Edward William Godwin (1833–1886), who was one of the most important exponents of Victorian Japonisme or Anglo-Japanese style, the appropriation of Japanese artistic styles.