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The angel who rescues Shadrach, Meshach, and Abednego from the "fiery furnace" in the Book of Daniel Chapter 3 is usually regarded in Christian tradition as Michael; this is sometimes represented in Early Christian art and Eastern Orthodox icons, but rarely in later art of the Western church.
Three Angels and Young Tobias; Tobias and Sarah in Prayer with the Angel Raphael and the Demon; Tobias and the Angel (Filippino Lippi) Tobias and the Angel (Pollaiuolo) Tobias and the Angel (Savoldo) Tobias and the Angel (Verrocchio)
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Song of the Angels (1881) by William-Adolphe Bouguereau (1825–1905) Angels have appeared in works of art since early Christian art, and they have been a popular subject for Byzantine and European paintings and sculpture. Ezekiel's "chariot vision", by Matthaeus Merian (1593–1650), displaying several different types of angelic creatures.
The Archangel ivory is the largest surviving Byzantine ivory panel, now in the British Museum in London. Dated to the early 6th century, it depicts an archangel holding a sceptre and imperial orb .
Guardian Angel, Archangel My help is God, of God's flock, Angel of Sagittarius Agiel: Zazel Christianity, Judaism, Islam Archangel, Seraph: The Intelligence Angels of all kinds, Guardian Angel of Saturn Ananiel: Christianity Watcher Storm of God, Angel of water, guard of the gates of the South Wind [1] Anush: Mandaeism Uthra
Saint Matthew and the Angel (1602) is a painting from the Italian master Caravaggio (1571–1610), completed for the Contarelli Chapel in the church of San Luigi dei Francesi in Rome. It was destroyed in Berlin in 1945 and is now known only from black-and-white photographs and enhanced color reproductions.