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This page was last edited on 3 September 2024, at 01:27 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Miguel de Unamuno was born in Bilbao, a port city of the Basque Country, Spain, the son of Félix de Unamuno and Salomé Jugo. [4] As a young man, he was interested in the Basque language , which he could speak, and competed for a teaching position in the Instituto de Bilbao against Sabino Arana .
San Manuel Bueno, mártir (1931) is a short novel by Miguel de Unamuno (1864–1936). It experiments with changes of narrator as well as minimalism of action and of description, and as such has been described as a nivola, a literary genre invented by Unamuno to describe his work.
This page was last edited on 3 September 2024, at 01:28 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Miguel de Unamuno: renowned Spanish writer whom Augusto decides to visit when in search of life advice. Eugenia Domingo Del Arco: piano instructor and acquaintance of Augusto. Mauricio: Eugenia's lover. He is also a friend for Rosario. Rosario: young woman who brings the ironed clothes to Augusto's house. Orfeo: Augusto's dog.
When the novel was published Spain has been enjoying some 20 years of political stability, the first such period in the 19th century. The regime, usually named "Restoration", was monarchy combined with parliamentarian liberal democracy; two key parties were interchanging at power and fundamental flaws of the system – its elitism, corruption and caciquismo – were not clearly visible yet. [4]
Abel Sánchez: A Story of Passion (Spanish: Abel Sánchez: Una historia de pasión) is a 1917 novel by Miguel de Unamuno. Abel Sanchez is a re-telling of the story of Cain and Abel set in modern times, which uses the parable to explore themes of envy .
In their youth, people like Miguel de Unamuno and Leopoldo Lugones were attracted to socialism, whereas the anarchist doctrine seemed at first to attract Pío Baroja and Manuel González Prada. The aversion to the society that surrounded them (and not only, although of course also, the governments) urged them to look for inhabitable worlds ...