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Đàn tre ("bamboo instrument") - A hybrid form of the Vietnamese plucked string instrument, similar to a Đàn tính, called a Đàn tre, was created by Nguyễn Minh Tâm, who escaped from Vietnam in 1982 and ultimately settled in Australia. The instrument has twenty-three 800 mm (31 in)-long wire strings attached to a bamboo tube with a ...
The institute is well using modern technology to help restore and preserve Vietnamese music and songs on compact discs for the longer and better conservation of sound documents. Stored in the Sound Archives of the Institute of Musicology are 8,850 pieces of instrumental music and nearly 18,000 folk songs performed by more or less 2,000 performers.
The institute is well using modern technology to help restore and preserve Vietnamese music and songs on compact discs for the longer and better conservation of sound documents. Stored in the Sound Archives of the Institute of Musicology are 8,850 pieces of instrumental music and nearly 18,000 folk songs performed by more or less 2,000 performers.
A man playing the đàn tranh beside the singer. The đàn tranh (Vietnamese: [ɗâːn ʈajŋ̟], 彈 箏) or đàn thập lục [1] is a plucked zither of Vietnam, based on the Chinese guzheng, from which are also derived the Japanese koto, the Korean gayageum and ajaeng, the Mongolian yatga, the Sundanese kacapi and the Kazakh jetigen.
Bass Đàn môi. Dan moi and container. Derived from the mouth harp of the Hmong people, [1] Đàn môi (in Vietnamese: Đàn môi, "lip lute") is the Vietnamese name of a traditional musical instrument widely used in minority ethnic groups in Vietnam (including the Jrai "Rang Leh" [2]).
Nhã nhạc (Vietnamese: [ɲǎːˀ ɲàːˀk], 雅樂, "elegant music") is a traditional music of Vietnam.Vietnamese court music is very diverse, but the term nhã nhạc refers specifically to the Vietnamese court music performed from the Trần dynasty of the 13th century to the Nguyễn dynasty at the end of the 20th century.
The protest music that came out of the Vietnam War era was stimulated by the unfairness of the draft, the loss of American lives in Vietnam, and the unsupported expansion of war. The Vietnam War era (1955–1975) was a time of great controversy for the American public.
Xoan singing or hát xoan (Vietnamese for 'spring singing', Chữ Nôm: 咭春) is a genre of Vietnamese folk music performed in spring during the first two months of the Tết Nguyên Đán in Phú Thọ Province. [1] The genre includes acting, ceremony, chant, dancing, drumming, and singing; with themes involve romance, riddles, and work. [1]