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Pipa pipa is an ambush predator, lying in-wait underwater for prey to inevitably wander too close, swiftly inhaling the unsuspecting creature using suction feeding. Additionally, the Surinam toad's rather flat body shape, combined with rather dark, dull coloration, serves as effective camouflage in the murky waters they inhabit, perfectly ...
Adult males measure 28–37 mm (1.1–1.5 in) and females 27–44 mm (1.1–1.7 in) in snout–vent length. The head is narrow in the dorsal view, and the snout is pointed; the eyes are large. The body is relatively slender. Skin is tuberculate. The webbing between the fingers and toes is transparent. [5] [3]
There are seven recognized species: [1] [2] Pipa arrabali Izecksohn, 1976 – Arrabal's Surinam toad; Pipa aspera Müller, 1924 – Albina Surinam toad; Pipa carvalhoi (Miranda-Ribeiro, 1937) – Carvalho's Surinam toad; Pipa myersi Trueb, 1984 – Myers' Surinam toad; Pipa parva Ruthven and Gaige, 1923 – Sabana Surinam toad; Pipa pipa ...
Lutes are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body". [1]The lute family includes not only short-necked plucked lutes such as the lute, oud, pipa, guitar, citole, gittern, mandore, rubab, and gambus and long-necked plucked lutes such as banjo, tanbura, bağlama, bouzouki, veena, theorbo ...
Wu Man (Chinese: 吴 蛮; pinyin: Wú Mán; born January 2, 1963) [1] is a Chinese pipa player and composer. Trained in Pudong-style pipa performance at the Central Conservatory of Music in Beijing, she is known for playing in a broad range of musical styles and introducing the pipa and its Chinese heritage into Western genres.
The pipa, pípá, or p'i-p'a (Chinese: 琵琶) is a traditional Chinese musical instrument belonging to the plucked category of instruments.Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets ranging from 12 to 31.
Gao Ming, circa 1305-1359. The play is set during the Han dynasty. [3] Based on an older play, Zhao zhen nü (The Chaste Maiden Zhao), it tells the story of a loyal wife named Zhao Wuniang (T: 趙五孃, S: 赵五娘, P: Zhào Wǔniáng, W: Chao Wu-niang) who, left destitute when her husband Cai Yong is forced to marry another woman, undertakes a 12-year search for him.
This revived bipa used the existing modern Chinese pipa as a basis but was modified to the Korean form, and followed Joseon style and Chinese style use of fake nails and Chinese techniques. It also reintroduced the two sound holes on the front characteristic of the two Korean bipa as well as the five strings characteristic of the hyang - bipa .