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Antigone at the Barbican was a 2015 filmed-for-TV version of a production at the Barbican directed by Ivo van Hove; the translation was by Anne Carson and the film starred Juliette Binoche as Antigone and Patrick O'Kane as Kreon. Other TV adaptations of Antigone have starred Irene Worth (1949) and Dorothy Tutin (1959), both broadcast by the BBC.
It is a modernized retelling of the Greek tragedy Antigone, set in contemporary Milan and drawing upon socio-political themes and imagery of the time, including the protests of 1968, the counter-cultural movement, and the Years of Lead. [2] [3] [4]
Antigone is a 2019 Canadian drama film directed by Sophie Deraspe. An adaptation of the ancient Greek play Antigone by Sophocles, the film transposes the story to a modern-day refugee family in Montreal. The cast includes Nahéma Ricci as Antigone, with Rawad El-Zein, Hakim Brahimi, Rachida Oussaada, and Nour Belkhiria.
Antigone (Greek: Aντιγόνη, Antigone) is a 1961 Greek film adaptation of the Ancient Greek tragedy Antigone by Sophocles. It stars Irene Papas in the title role and was directed by Yorgos Javellas , who also adapted the play for the film.
Antigone by Frederic Leighton, 1882. Antigone cremates Polynices by night. Haemon comes to warn her just before Adrastus and his guards arrive. Adrastus realises Creon's orders have been disobeyed. He believes Haemon is the culprit and arrests him. Creon sentences him to death, but Antigone arrives to explain that the cremation is all her own work.
Pages in category "Modern adaptations of Antigone (Sophocles play)" The following 8 pages are in this category, out of 8 total. This list may not reflect recent changes .
Antigone, also known as The Antigone of Sophocles, is an adaptation by the German dramatist Bertolt Brecht of Hölderlin's translation of Sophocles' tragedy. It was first performed at the Chur Stadttheater in Switzerland in 1948, with Brecht's second wife Helene Weigel , in the lead role. [ 1 ]
Antigone was first performed in Paris at the Théâtre de l'Atelier on February 6, 1944, during the Nazi occupation.Produced under Nazi censorship, the play is purposefully ambiguous with regard to the rejection of authority (represented by Antigone) and the acceptance of it (represented by Creon).
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