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Fruit and Flowers (1860) by Roger Fenton. Fruit and Flowers is a black and white photograph by English photographer Roger Fenton, taken in 1860.It was part of the still lives series that Fenton did at the Summer of that year, and would be some of his final photographic work, shortly before be leave this activity, in 1862.
Weston photographed Pepper No. 30 using his Ansco 8×10 Commercial View camera with a Zeiss 21 cm lens. The smallest aperture on this lens is f /36. [citation needed] According to Weston's grandson Kim, it was shot at an aperture of f /240 with an exposure time of four to six hours. [5]
Digital photo of Kearny Generating Station, converted to black and white in Lightroom, with color channels adjusted to mimic the effect of a red filter. 1968 group portrait of a Swedish musical's cast. Black-and-white photography is considered by some to be more subtle and interpretive, and less realistic than color photography.
Chiaroscuro is used in cinematography for extreme low key and high-contrast lighting to create distinct areas of light and darkness in films, especially in black and white films. Classic examples are The Cabinet of Dr. Caligari (1920), Nosferatu (1922), Metropolis (1927) The Hunchback of Notre Dame (1939), The Devil and Daniel Webster (1941 ...
Specific black-and-white photographs. It should not contain the images (files) themselves, nor should it contain free- or fair-use images which do not have associated articles. See also Category:Color photographs
The first black-and-white feature film photographed entirely on panchromatic stock was The Headless Horseman (1922). [6] But early panchromatic stock was more expensive, had a relatively short shelf-life, and was more difficult for laboratories to process because it required working in total darkness.
Slow-cooker black bean soup Photo by: Catherine McCord, Weelicious.com This recipe requires only 10 minutes of meal prep and cooks in 10 minutes.
Example of a low-key photograph. Low-key photography is a genre of photography consisting of shooting dark-colored scenes by lowering or dimming the "key" or front light illuminating the scene (low-key lighting), and emphasizing natural [1] or artificial light [2] only on specific areas in the frame. [3]