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In addition to epinikia, a victorious athlete might be honored with a statue, as with this charioteer found at Delphi, probably a champion driver at the Pythian Games. The epinikion or epinicion (pl.: epinikia or epinicia, Greek ἐπινίκιον, from epi-, "on", + nikê, "victory") is a genre of occasional poetry also known in English as a victory ode.
A shadow wall is created when a light flashes upon a person or object in front of a phosphorescent screen which temporarily captures the shadow. The screen or wall is painted with a glow-in-the-dark product that contains phosphorescent compounds. [33] Publicly, these shadow walls can be found at certain science museums. [34] [35]
"I Wandered Lonely as a Cloud" (also sometimes called "Daffodils" [2]) is a lyric poem by William Wordsworth. [3] It is one of his most popular, and was inspired by an encounter on 15 April 1802 during a walk with his younger sister Dorothy, when they saw a "long belt" of daffodils on the shore of Ullswater in the English Lake District. [4]
Phosphorescent's record starts with the title track, "Revelator," a flowing, hazy track that showcases Houck's vulnerable lyrics and emotive voice. Houck says the track was the album's North Star ...
"Spirits of the Dead" was first titled "Visits of the Dead" when it was published in the 1827 collection Tamerlane and Other Poems. The title was changed for the 1829 collection Al Aaraaf, Tamerlane, and Minor Poems. The poem follows a dialogue between a dead speaker and a person visiting his grave. The spirit tells the person that those who ...
Title page of the Panegyric of Leonardo Loredan (1503), created in honour of Leonardo Loredan, 75th Doge of Venice, now in the Walters Art Museum in Baltimore. A panegyric (US: / ˌ p æ n ɪ ˈ dʒ ɪ r ɪ k / or UK: / ˌ p æ n ɪ ˈ dʒ aɪ r ɪ k /) is a formal public speech or written verse, delivered in high praise of a person or thing. [1]
The lyrical subject, lyrical speaker or lyrical I is the voice or person in charge of narrating the words of a poem or other lyrical work. [1] The lyrical subject is a conventional literary figure, historically associated with the author, although it is not necessarily the author who speaks for themselves in the subject.
Rather than the poem representing the voice of the author, as in much lyric poetry, the speaker in Pound's persona poems is a made-up character with whom Pound did not completely identify. This allowed Pound to be satiric, even sarcastic, not only about the subject of the poems but about their speaker, although he sometimes appears to share the ...