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Iambic pentameter (/ aɪ ˌ æ m b ɪ k p ɛ n ˈ t æ m ɪ t ər / eye-AM-bik pen-TAM-it-ər) is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter , established by the words in each line.
Lines of poetry made up predominantly of iambs are referred to as iambics or as iambic verse, which is by far the most commonly used metrical verse in English. Its most important form is the 10-syllable iambic pentameter, either rhymed (as in heroic couplets and sonnets) or unrhymed (in blank verse). [35] iambic pentameter idiom idyll imagery ...
Dactylic pentameter; Dactylic hexameter. Golden line; Iambic meter: any meter based on the iamb as its primary rhythmic unit. Alexandrine (iambic hexameter): a 12-syllable iambic line adapted from French heroic verse. Example: the last line of each stanza in “The Convergence of the Twain” by Thomas Hardy. [1] Czech alexandrine; French ...
Dmitri Shostakovich set Boris Pasternak's Russian translation of this sonnet to music as part of his 1942 song cycle Six Romances on Verses by English Poets (Op. 62). Because Pasternak's translation is also in iambic pentameter, the piece can be, and sometimes is, performed with Shakespeare's original words instead (for example, by Gerald ...
In languages with a stress accent (accentual verse), it is the equivalent of pentameter with iambs or trochees (particularly iambic pentameter). Medieval French heroic epics (the chansons de geste ) were most often composed in 10 syllable verses (from which, the decasyllable was termed "heroic verse"), generally with a regular caesura after the ...
John Milton's Paradise Lost, most sonnets, and much else besides in English are written in iambic pentameter. Lines of unrhymed iambic pentameter are commonly known as blank verse. [8] Blank verse in the English language is most famously represented in the plays of William Shakespeare and the great works of Milton, though Tennyson (Ulysses, The ...
Christopher Marlowe was the first English author to achieve critical fame for his use of blank verse. [4] The major achievements in English blank verse were made by William Shakespeare, who wrote much of the content of his plays in unrhymed iambic pentameter, and John Milton, whose Paradise Lost is written in blank verse.
Sonnet 144 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 4th line exemplifies a ...