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Traditional loose-woven two-piece clothing, consisting of a robe-like top and shorts below the waist; the seams connecting the sleeves to the body are traditionally loosely-sewn, showing a slight gap. Worn by men, women, boys, girls, and even babies, during the hot, humid summer season, in lieu of kimono. Jittoku (十徳)
A modern tsumami kanzashi set of the type worn by maiko (apprentice geisha) for the month of January. Kanzashi are hair ornaments used in traditional Japanese hairstyles.The term kanzashi refers to a wide variety of accessories, including long, rigid hairpins, barrettes, fabric flowers and fabric hair ties.
A woodblock print by Yōshū Chikanobu showing Japanese women in Western-style clothes, hats, and shoes (yōfuku)Japanese clothing during the Meiji period (1867–1912) saw a marked change from the preceding Edo period (1603–1867), following the final years of the Tokugawa shogunate between 1853 and 1867, the Convention of Kanagawa in 1854 – which, led by Matthew C. Perry, forcibly opened ...
Antique nihongami katsura (wig) in a display case. The yuiwata hairstyle. Many hairstyles now labelled nihongami were developed during the Edo period, when a preference amongst women for long, flowing hairstyles transitioned towards more elaborate, upswept styles, featuring buns at the back of the neck and 'wings' at either side of the head.
The style at this time was to wear long, loose, straight hair. "Floor-length black tresses were considered the height of beauty." [4] The 11th-century novel The Tale of Genji (源氏物語, Genji monogatari) describes women showing off their long, flowing hair. Tosa Mitsuoki—Portrait of Murasaki Shikibu. Taregami
Buyao (simplified Chinese: 步摇; traditional Chinese: 步搖; pinyin: Bùyáo; lit. 'step-shake') is a type of Chinese women's hair ornament. [1] It is a type of Chinese hairpin which was oftentimes decorated with carved designs and jewelries that dangles when the wearer walks, hence the name, which literally means "shake as you go".
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