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Daniel Hopfer. Daniel Hopfer (c. 1470 – 1536) was a German artist who is widely believed to have been the first to use etching in printmaking, at the end of the 15th century. [1] He also worked in woodcut.
In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. [2] The artist then scratches off the ground with a pointed etching needle [3] where the artist wants a line to appear in the finished piece, exposing the bare metal.
Education. Chicago Academy of Design. Known for. Painting, Printmaking, Drypoint, Watercolors, Etching. Patron (s) Metropolitan Museum of Art. George Elbert Burr (April 14, 1859 [1] – November 17, 1939 [2][3]) was an American printmaker and painter best known for his etchings and drypoints of the desert and mountain regions of the American West.
Maurice R. Bebb (1891–1986) (or M. R. Bebb as he signed his work) was a notable etcher and printmaker of the American Midwest, whose best-known subjects were birds native to Oklahoma and Minnesota, where he spent his time. Etching involves using copper plates on which an artist has etched or “bitten” his picture with acid.
In discussing the single plate color etching process with the Arizona Daily Star in 1942, Pescheret explained that he only produced six plates a year each an open edition of 200 prints. These prints are produced on large copper plates, the smallest 10 by 12 inches the largest 13 by 18 inches. [13]
Marc Tequi. Children. 3. Website. gelvezontequi.com. Ofelia Gelvezon-Tequi (born June 4, 1942) is a Filipina visual artist based in France. She works primarily in the media of painting and printmaking and is considered a pioneer in Philippine printmaking. Her prints are created using copper-plate etching and viscosity color printing techniques.
Drypoint. Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate (or "matrix") with a hard-pointed "needle" of sharp metal or diamond point. In principle, the method is practically identical to engraving. The difference is in the use of tools, and that the raised ridge along the furrow is not ...
Historically, most artists who employed mezzotint utilized etching in their creative process, whereas Hamaguchi preferred to cut lines into a copper plate before he applied acid. The burrs that were included after carving allowed the printing ink to remain in place, and they provided the details for the shading and contrasts.
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