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Mitsugi Ohno (大野 貢, Ōno Mitsugi, June 28, 1926 – October 22, 1999) was a Japanese glassblower who worked at the University of Tokyo (1947–1960) and Kansas State University (1961–1996). He was known for blowing a glass Klein bottle and glass models of historic buildings and ships. He told people "Anything that can be made with glass ...
It is described as being a lacquer or brass box with a wide mouthpiece for blowing on, and a hole or pipe on the other end for directing the powder into the eyes of the person being captured. [1] One type of metsubushi powder was made up of ashes, ground-up pepper, mud, flour, and dirt. For severe damage, it could also include fine-ground glass.
The height ranges from 30 cm to 1 m, and the diameter from 30 cm to 50 cm. The hole at the top has a diameter of circa 2 cm. Similar to a bell, the jar of a good suikinkutsu will ring when struck. A jar producing a good sound will create a good sounding suikinkutsu. Similarly, a cracked jar, like a cracked bell, will not produce a good sound.
The person who first pours in the glasses of others should hold the bottle with both hands simultaneously. The person who receives the pouring must hold the cup firmly, and politely ask whether or not the person who just served would like to have the gesture returned. [34] When drinking with a group, wait until each glass is filled before drinking.
The Japanese definition for the period of prehistory characterized by the use of pottery is Jōmon (縄文, lit. cord-patterned) and refers to the entire period (c. 10,500 to 300 BC). [18] Pottery techniques reached their apogee during the Middle Jōmon period with the emergence of fire-flame pottery created by sculpting and carving coils of ...
Edo kiriko (ja:江戸切子) features transparent and colorless glass, while Satsuma kiriko is more delicate and features overlaid colored glass. According to a recent study, the new one is produced since the section of the colorless Satsuma kiriko is tidied up. [clarification needed] The main feature is the deep color of the overlaid colored ...
Natural glaze ware jar, excavated at Ise, Mie, Heian period, 12th century Coil-built stoneware with ash glaze. Kamakura period, 14th century Kamakura period, 14th century Tokoname ware ( 常滑焼 , Tokoname-yaki ) is a type of Japanese pottery , stoneware, and ceramics produced in and around the municipality of Tokoname, Aichi , in central Japan .
Five of six jar burials in the centre of the mounded burial contained cylindrical jade-like glass ornaments from China and bronze daggers from the Korean peninsula. The mounded burial is located in an area away from the majority of burials, confirming the thoughts some archaeologists that those interred in the burial mound were the leaders of ...
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