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The process of stripping for general commercial offset printing has largely been eliminated through the use of digital prepress technology, in which imposition software is used to "digitally strip" the pages together. Some printing technologies continue to use stripped film, especially in silk-screen printing, although this is likely to change ...
A hand-colored print of George Méliès' The Impossible Voyage (1904). The first film colorization methods were hand-done by individuals. For example, at least 4% of George Méliès' output, including some prints of A Trip to the Moon from 1902 and other major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville were individually hand-colored by Elisabeth ...
The front film is orthochromatic, to record the blue-green portion of the picture. On the surface of its emulsion is a red-dye layer equivalent to a Wratten 23A filter. The rear film is panchromatic, and being photographed through the red coating of the front film, records only the red-orange components of the picture. No filtering is necessary ...
During development, the exposed silver salts are converted to metallic silver, just as with black-and-white film. But in a color film, the by-products of the development reaction simultaneously combine with chemicals known as color couplers that are included either in the film itself or in the developer solution to form colored dyes.
As before, the special Technicolor camera used a beam-splitter that simultaneously exposed two consecutive frames of a single strip of black-and-white film, one behind a green filter and one behind a red filter. [12] [13] The difference was that the two-component negative was now used to produce a subtractive color print. Because the colors ...
In the traditional photochemical post-production workflow, release prints are usually copies, made using a high-speed continuous contact optical printer, [5] of an internegative (sometimes referred to as a 'dupe negative'), which in turn is a copy of an interpositive (these were sometimes referred to as 'lavender prints' in the past, due to the slightly colored base of the otherwise black-and ...
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Two frames of a vertical filmstrip take up roughly the same amount of space as a single frame on the horizontal. Including its guard band, a vertical filmstrip could contain up to 64 images, while a horizontal oriented strip usually contained 32 images. This is based on the equivalent of a 25 exposure length of 35mm still camera film.
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