Search results
Results from the WOW.Com Content Network
McDonald began his music career as an army musician, where he learned the clarinet and taught himself music theory. He also taught himself to play flute, saxophone, guitar and piano. [ 2 ] He co-founded King Crimson and appeared on their 1969 debut album In the Court of the Crimson King , playing Mellotron , keyboards and woodwinds.
Pages in category "Song recordings produced by Ian McDonald (musician)" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes .
McDonald and Giles is an album released by British musicians Ian McDonald and Michael Giles in 1970. The album was first issued on Island Records (ILPS 9126) in the UK and Cotillion Records (SD 9042), a division of Atlantic Records, in the US. (The album was released on Atlantic itself in several countries.)
Drivers Eyes is the first and only solo album by former King Crimson and Foreigner member Ian McDonald. It features contributions from Peter Frampton , Ian Lloyd , Gary Brooker , Steve Hackett and Hugh McCracken and King Crimson alumni, Michael Giles and John Wetton .
Pages in category "Songs written by Ian McDonald (musician)" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes .
Ian McDonald (born 18 April 1933) is a Caribbean-born poet and writer who describes himself as "Antiguan by ancestry, Trinidadian by birth, Guyanese by adoption, and West Indian by conviction." His ancestry on his father's side is Antiguan and Kittitian , and Trinidadian on his mother's side.
Ian MacCormick (known by the pseudonym Ian MacDonald; 3 October 1948 – 20 August 2003) was an English music critic, journalist and author, best known for both Revolution in the Head, his critical history of the Beatles which borrowed techniques from art historians, and The New Shostakovich, a study of Russian composer Dmitri Shostakovich.
It was written by Robert Fripp, Ian McDonald, Greg Lake, and Michael Giles with lyrics written by Peter Sinfield. The song is noted for its heavy use of the Mellotron. [3] [4] As with the album's first track, "21st Century Schizoid Man", the song's lyrics have a distinctly dystopian feel to them and are presented as a protest to the Cold War ...