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Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Traditional black gospel [1] is music that is written to express either personal or a communal belief regarding African American Christian life, as well as (in terms of the varying music styles) to give a Christian alternative to mainstream secular music. It is a form of Christian music and a subgenre of black gospel music.
Traditional Black gospel music is the most well–known form, often seen in Black churches, non–Black Pentecostal and evangelical churches, and in entertainment spaces across the country and world. It originates from the Southeastern United States ("the South"), where most Black Americans lived prior to the Great Migration .
Traditional gospel music is older forms of gospel music. Traditional black gospel, which originated among African-Americans in the early 20th century; Gospel blues, whose popularity peaked in the 1940s and 1950s; Southern gospel, also known as "white gospel" Bluegrass gospel, religious songs out of the bluegrass folk music traditions
The shout music tradition originated within the church music of the Black Church, parts of which derive from the ring shout tradition of enslaved people from West Africa.As these enslaved Africans, who were concentrated in the southeastern United States, incorporated West African shout traditions into their newfound Christianity, the Black Christian shout tradition emerged—albeit not in all ...
Lucie Eddie Campbell, the youngest of eleven children, was born to Burrell and Isabella (Wilkerson) Campbell in Duck Hill, Mississippi, US on April 30, 1885. [1] Her father worked for the Mississippi Central Railroad (later purchased by the Illinois Central Railroad), and she was born in the caboose of a train. [1]
Albert E Brumley & Sons, The Best of Albert E Brumley, Gospel Songs, 1966, ISBN na-paperback Amazing Grace; Darden, Robert, People Get Ready: A New History of Black Gospel Music Continuum International Publishing Group, 2005, ISBN 0-8264-1752-3. Heilbut, Tony, The Gospel Sound: Good News and Bad Times Limelight Editions, 1997, ISBN 0-87910-034-6.
Many other jazz artists also borrowed from black gospel music. Before World War II, American churches, black and white, regarded jazz and blues with suspicion or outright hostility as "the devil's music". It was only after World War II that a few jazz musicians began to compose and perform extended works intended for religious settings or ...