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The poem is often attributed to anonymous or incorrect sources, such as the Hopi and Navajo tribes. [1]: 423 The most notable claimant was Mary Elizabeth Frye (1905–2004), who often handed out xeroxed copies of the poem with her name attached. She was first wrongly cited as the author of the poem in 1983. [4]
The Well Wrought Urn: Studies in the Structure of Poetry by Cleanth Brooks and Paul Rand. Harcourt, Brace 1975 ISBN 9780156957052 "Review of Poems, in Two Volumes by Francis Jeffrey, in Edinburgh Review, pp. 214–231, vol. XI, October 1807 – January 1808; Composed upon Westminster Bridge, September 3, 1802 in audio on Poetry Foundation
Mary Price may refer to: Mary Price (alleged spy) (1909–1980), American accused of being a spy for the Soviet Union; Mary Grant Price (1917–2002), Welsh-American costume designer; Mary Sue Price, American playwright and scriptwriter; Mary Elizabeth Price (1877–1965), American impressionist painter; Mary Violet Leontyne Price (born 1927 ...
Here’s my heart, O take and seal it, Seal it for Thy courts above. O that day when freed from sinning, I shall see Thy lovely face; Clothèd then in blood washed linen How I’ll sing Thy sovereign grace; Come, my Lord, no longer tarry, Take my ransomed soul away; Send thine angels now to carry Me to realms of endless day.
"In the Desert" [1] is the name given to a poem written by Stephen Crane (1871–1900), published in 1895 as a part of his collection, The Black Riders and Other Lines. "In the Desert" is the third of fifty-six short poems published in this volume.
"Soldiers, save my face; aim at my heart. Farewell." [1] — Joachim Murat, King of Naples (13 October 1815), to his firing squad The Execution of Marshal Ney (1868), by Jean-Léon Gérôme "Soldiers, when I give the command to fire, fire straight at my heart. Wait for the order. It will be my last to you. I protest against my condemnation.
Mary Grant Price (20 February 1917 – 2 March 2002) was a Welsh-American costume designer who worked in theatre and film. She worked professionally under the name Mary Grant . She began her career on Broadway in the mid-1930s, first as an assistant to Raoul Pene Du Bois , and later as a lead designer during the 1940s.
The sonnet uses nautical metaphors. The poet begins with a conventional seeming opening line, "O, how I faint when I of you do write”, causing the reader to expect, in a manner like Petrarch, that a list of the young man's virtues will follow. Instead it is revealed that the poet faints at the thought that there is a rival.