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African countries where masks are used traditionally Sande society sowei mask, 20th century Baoule Kple Kple Mask. Traditional African masks are worn in ceremonies and rituals across West, Central, and Southern Africa. They are used in events such as harvest celebrations, funerals, rites of passage, weddings, and coronations.
African masks often represent a spirit and it is strongly believed that the spirit of the ancestors possesses the wearer. Most African masks are made with wood, and can be decorated with: Ivory, animal hair, plant fibers (such as raffia), pigments (like kaolin), stones, and semi-precious gems also are included in the masks.
The Benin ivory mask is a miniature sculptural portrait in ivory of Idia, the first Iyoba (Queen Mother) of the 16th century Benin Empire, taking the form of a traditional African mask. [1] The masks were looted by the British from the palace of the Oba of Benin in the Benin Expedition of 1897 .
African Art Museum of the SMA Fathers at Tenafly, New Jersey: The Legend of Chi Wara. www.masksoftheworld.com: Chi Wara mask images. Library of the University of Virginia: Africa Masks exhibit. Includes images and description of one male and one female mask. Humboldt State University: gallery of Chi Wara and other Bambara dancers.
The art of Burkina Faso is the product of a rich cultural history. In part, this is because so few people from Burkina have become Muslim or Christian. [ 1 ] Many of the ancient artistic traditions for which Africa is so well known have been preserved in Burkina Faso because so many people continue to honor the ancestral spirits, and the ...
African folk art consists of a variety of items: household objects, metal objects, toys, textiles, masks, and wood sculpture. Most traditional African art meets many definitions of folk art generally, or at least did so until relatively recent dates.
These masks showcase an ideal image of an Igbo maiden. This ideal is made up by the smallness of a young girl’s features and the whiteness of her complexion, which is an indication that the mask is a spirit. This whiteness is created using a chalk substance used for ritually marking the body in both West Africa and the African Diaspora.
The issue of anonymity and authorship has long troubled the field of African art history, particularly as it relates to the political disparities between Africa and the West. [10] Such information was, at least initially, rarely sought in the field and deemed unnecessary and even undesirable by many collectors. [ 2 ]
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