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High-backed stool, Kami ethnic group, late 19th century, Musée des Confluences, Lyon Tanzania. Masterworks of African Skulpture (German: Tanzania. Meisterwerke afrikanischer Skulptur; Swahili: Sanaa za Mabingwa wa Kiafrika) was an art exhibition of traditional African sculptures originating from the mainland region of modern Tanzania.
East African pole sculptures, carved in elongated human shapes and decorated with geometric forms, while the tops may also be carved with figures of animals, represent abstract human figures or other objects. In traditional ways, such poles of the Bongo people were placed next to graves and associated with death and the ancestral world. [9]
Shells are carved soon after the tree is felled while the wood still retains some moisture and is softer. This makes the wood easier to carve and avoids radial splits that tend to develop in logs that are allowed to dry naturally. [50] Carvers use simple hand tools, such as axes, adzes, spoke shaves, and rasps to shape the shell.
Masks carved of wood represent bush spirits, or spirits that take animal forms. These animal forms may be more naturalistic among the Nunuma and Nuna or more stylized among the Léla and Winiama. The animals that occur most frequently are the antelope, buffalo, bush pig, hornbill, hyena, and the serpent.
Modern Makonde art is an integration of dated practices of woodwork met with a demand of artistic woodcarving of the modernized world. After the introduction of road systems in the plateaus between Tanzania and Mozambique by Portuguese troops during World War I, the traditional sense of the practice began to shift to meet new social and economic demands. [3]
Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
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