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Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
Child Jesus Salvator Mundi (17th century), Portugal. Salvator Mundi, Latin for Saviour of the World, is a subject in iconography depicting Christ with his right hand raised in blessing and his left hand holding an orb (frequently surmounted by a cross), known as a globus cruciger.
The painting depicts Jesus Christ in anachronistic blue Renaissance attire, making the sign of the cross with his right hand, while holding a transparent, non-refracting crystal orb in his left, signalling his role as Salvator Mundi and representing the 'celestial sphere' of the heavens.
[22] [23] In a letter to the Society for the Encouragement of Artists committee dated 27 November 1834, Ivanov reported that he was still working on the painting Jesus, Revealing Himself to the Magdalene after the Resurrection, "three and a half arshin high, five long," [19] and asked for his pension to be continued: "But, prompted by a lively ...
The hammer used to drive the nails into Jesus' hands and feet; The pincers used to remove the nails; The vessel of myrrh, used to anoint the body of Jesus, either by Joseph of Arimathea or by the Myrrhbearers; The shroud used to wrap the body of Jesus before burial; The sun and moon, representing the eclipse which occurred during the Passion
The painting of the virgin with pastoral hat, covered by a blue mantle, holding a boy in her left hand and a lamb in her right one, was called "Divina Pastora de Almas". Later, the sculptor Francisco Antonio Ruiz Gijón , made a life-sized sculpture of the Divina Pastora , which was carried in its first procession in 1705.
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The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...