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Redcode Raw (.r3d) is a proprietary file format that employs wavelet compression to reduce the raw data coming off the sensor. This allows reduced file sizes while still keeping all advantages of a non-destructive raw workflow. In the beginning Redcode was a JPEG2000 12bit linear file stream with PCM sound without encryption.
Apple lost the case in November 2019. Apple argued that the patents related to Redcode Raw were "unpatentable", but a judge ruled that Apple's legal team had not provided sufficient evidence to back up their claims. [58] Red's RAW video patent that has resulted in multiple companies being sued by Red is US8872933. This US patent is scheduled to ...
16-bit Redcode RAW, ProRes, DNxHD 8192 x 4320 800 native 14.8 stops [77] 2x and 1.33x desqueeze 23.98 - 60 (8K) Panavision Millennium DXL 2 [76] 40.96 x 21.60mm 0.88 Panavision PV mount Mini RedMag SSD 16-bit Redcode RAW, ProRes, DNxHD 8192 x 4320 1600 native 14.9 stops [78] 2x and 1.33x desqueeze 23.98 - 60 (8K) Panavision Genesis [79] 24.89 x ...
The dispute started earlier this year, when Apple set out to overturn RED's patent on RedCode RAW in a possible effort to avoid paying royalties on its ProRes RAW codec. A patent court ruled that ...
Raw files thus contain the full dynamic range (typically 12- or 14-bit) data as read out from each of the camera's image sensor pixels. The camera's sensor is almost invariably overlaid with a color filter array (CFA), usually a Bayer filter , consisting of a mosaic of a 2x2 matrix of red, green, blue and (second) green filters.
The following cameras allow audio and video to be shot in at least one raw (in the sense of a series of raw image format frames, such as in CineDNG) format. Lossy compression may be present. However, "raw" means the image data should not have gone through demosaicing and further processing, or at least the process should be reversible.
Linear pulse-code modulation (LPCM, generally only described as PCM) is the format for uncompressed audio in media files and it is also the standard for CD-DA; note that in computers, LPCM is usually stored in container formats such as WAV, AIFF, or AU, or as raw audio format, although not technically necessary.
Digital cinematography captures motion pictures digitally in a process analogous to digital photography.While there is a clear technical distinction that separates the images captured in digital cinematography from video, the term "digital cinematography" is usually applied only in cases where digital acquisition is substituted for film acquisition, such as when shooting a feature film.