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His architectural work, throughout his entire career, is characterized by a concern for design as Gesamtkunstwerk—a total work of art in which he, together with his first wife Aino Aalto, would design not only the building but the interior surfaces, furniture, lamps, and glassware as well.
From the very beginning of his career Alvar Aalto experimented with materials, especially wood, and even applied for patents for the bending of wood as applied in his furniture designs and as acoustic screens in his buildings. The Aaltos designed several different types of furniture and lamps for the Paimio Sanatorium (1929–33).
Aalto's office continued to work on it after his death. Never built. [nb 5] 1975 [nb 163] Town hall [173] Jyväskylä: Part of the administrative and cultural center [nb 42] 1975–1976: Master plan of the University of Iceland [173] [178] Reykjavík, Iceland: After his death his office continued to work on it into the 1980s. [178] [nb 5] 1975 ...
The Kaufmann Conference Center was designed by the Finnish architect Alvar Aalto for the architecture professor Edgar Kaufmann Jr..The conference hall is on the 12th floor of 809 United Nations Plaza, originally the headquarters of the Institute of International Education (IIE), at First Avenue and 45th Street in the Turtle Bay neighborhood of Manhattan in New York City. [1]
They also include paintings by Alvar Aalto and more than 30 models of his buildings. In addition to unique pieces of furniture, the collections include almost all models that were mass-produced, as well as a great number of prototypes. The Alvar Aalto collection of drawings contain ca. 200,000 original drawings and documents related to his ...
Aalto received the commission to design the building after winning an architectural competition for the project held in 1929. Though the building represents the 'modernist' period of Aalto's career, and followed many of the tenets of Le Corbusier's pioneering ideas for modernist architecture (e.g. ribbon windows, roof terraces, machine aesthetic), it also carried the seeds of Aalto's later ...
The significant vehicle for the development of modernism in Finland was his contemporary, Alvar Aalto, who was a friend of Asplund as well as key Swedish architect Sven Markelius. The latter had invited Aalto to join Congrès International d'Architecture Moderne (CIAM), ostensibly run by Le Corbusier.
The design of each lamp, piece of furniture, panel, flooring material and decorative board is a reflection of Aalto's maturity resulting from his long career as an architect as well as designer of lamps, furniture and fixtures such as door handles. All the materials speak the language of nature, without technically artificial tones.