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Whiting's The Devils also provided ample text, following some adaptation, for Krzysztof Penderecki's opera, The Devils of Loudun (Die Teufel von Loudun). [9] It was also heavily used by British film director Ken Russell in the preparation for the screenplay of his highly controversial film version, The Devils (1971).
Harald Bergstedt (Harald Alfred Petersen; 10 August 1877, in Køge – 19 September 1965, in Copenhagen) was a Danish writer, novelist, playwright and a poet. Author of the genre and satire verses (collections: Song of the province / Sange fra provinsen , 1913—1921; Wide Wings , 1919; Songs for all the Winds , 1927).
The poem was written in a Habbie stanza with the stanza six lines long and the rhyme scheme AAABAB. Burns used a similar stanza in Death and Doctor Hornbook. The poem is also skeptical of the Devil's existence and of his intentions to punish sinners for all eternity as in the stanza. Hear me, auld Hangie, for a wee, An’ let poor damned bodies be;
The poem consisted of seven irregular ballad stanzas of 49 lines. [2] The poem was a satirical attack and criticism of the British government. Satan is depicted meeting with key members of the British government. [2] The poem was modelled on and meant as a continuation of "The Devil's Thoughts" of 1799 by Samuel Taylor Coleridge and Robert ...
"The Devil's Thoughts" is a satirical poem in common metre by Samuel Taylor Coleridge, published in 1799, and expanded by Robert Southey in 1827 and retitled "The Devil's Walk". The narrative describes the Devil going walking and enjoying the sight of the various sins of mankind.
He began to compose songs in 1774, and published his first book, Poems, Chiefly in the Scottish Dialect, in 1786. The work was a critical success, and its poems in both Scots and English, on a range of topics, established Burns’s broad appeal.
The Devil's Wind is a painstaking literary work that blends beautifully the artist and the historian. [1] The book is both an epic and an autobiography. [2] Malgonkar's purpose is to rehabilitate Nana Saheb, maligned as a monster by British propaganda, by telling the story from the Indian point of view in Nana Saheb own words.